{"id":179470,"date":"2021-07-27T13:04:53","date_gmt":"2021-07-27T11:04:53","guid":{"rendered":"https:\/\/new.eikon.at\/?p=179470"},"modified":"2026-07-27T13:04:53","modified_gmt":"2026-07-27T11:04:53","slug":"magazine-133-2-2-5-2-7-2-4-3","status":"publish","type":"post","link":"https:\/\/new.eikon.at\/en\/magazine-133-2-2-5-2-7-2-4-3\/","title":{"rendered":"#133 Instability | Glitch Ecologies &#8211; copy &#8211; copy &#8211; copy &#8211; copy &#8211; copy &#8211; copy &#8211; copy &#8211; copy"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><p>[vc_row row_height_percent=&#8221;0&#8243; override_padding=&#8221;yes&#8221; h_padding=&#8221;2&#8243; top_padding=&#8221;0&#8243; bottom_padding=&#8221;0&#8243; back_color=&#8221;color-xsdn&#8221; overlay_alpha=&#8221;50&#8243; gutter_size=&#8221;3&#8243; column_width_percent=&#8221;100&#8243; no_h_border=&#8221;yes&#8221; no_h_border_tablet=&#8221;yes&#8221; no_h_border_mobile=&#8221;yes&#8221; shift_y=&#8221;0&#8243; z_index=&#8221;0&#8243; sticky=&#8221;yes&#8221; content_parallax=&#8221;0&#8243; uncode_shortcode_id=&#8221;822296&#8243; back_color_type=&#8221;uncode-palette&#8221;][vc_column column_width_percent=&#8221;100&#8243; align_horizontal=&#8221;align_center&#8221; gutter_size=&#8221;0&#8243; override_padding=&#8221;yes&#8221; column_padding=&#8221;0&#8243; overlay_alpha=&#8221;50&#8243; shift_x=&#8221;0&#8243; shift_y=&#8221;0&#8243; shift_y_down=&#8221;0&#8243; z_index=&#8221;0&#8243; medium_width=&#8221;0&#8243; mobile_width=&#8221;0&#8243; width=&#8221;1\/1&#8243; uncode_shortcode_id=&#8221;264804&#8243;][vc_custom_heading text_size=&#8221;custom&#8221; desktop_visibility=&#8221;yes&#8221; medium_visibility=&#8221;yes&#8221; mobile_visibility=&#8221;yes&#8221; sticky_trigger=&#8221;yes&#8221; uncode_shortcode_id=&#8221;203212&#8243; heading_custom_size=&#8221;clamp(2.75rem, 4vw + 0.75rem, 5rem)&#8221;][\/vc_custom_heading][\/vc_column][\/vc_row][vc_row unlock_row_content=&#8221;yes&#8221; row_height_percent=&#8221;0&#8243; 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carousel_type=&#8221;fade&#8221; carousel_interval=&#8221;10000&#8243; carousel_hover=&#8221;yes&#8221; carousel_navspeed=&#8221;1000&#8243; carousel_loop=&#8221;yes&#8221; carousel_dot_position=&#8221;left&#8221; stage_padding=&#8221;0&#8243; single_style=&#8221;dark&#8221; single_overlay_color=&#8221;color-jevc&#8221; single_overlay_opacity=&#8221;1&#8243; single_overlay_visible=&#8221;yes&#8221; single_overlay_anim=&#8221;no&#8221; single_text_visible=&#8221;yes&#8221; single_text_anim=&#8221;no&#8221; single_image_anim=&#8221;no&#8221; single_v_position=&#8221;bottom&#8221; single_padding=&#8221;0&#8243; single_text_reduced=&#8221;yes&#8221; single_meta_custom_typo=&#8221;yes&#8221; single_meta_weight=&#8221;300&#8243; single_border=&#8221;yes&#8221; lbox_caption=&#8221;yes&#8221; uncode_shortcode_id=&#8221;718136&#8243; gallery_back_color_type=&#8221;uncode-palette&#8221;][\/vc_column][vc_column column_width_percent=&#8221;100&#8243; position_vertical=&#8221;middle&#8221; gutter_size=&#8221;1&#8243; override_padding=&#8221;yes&#8221; column_padding=&#8221;2&#8243; overlay_alpha=&#8221;50&#8243; shift_x=&#8221;0&#8243; shift_y=&#8221;0&#8243; shift_y_down=&#8221;0&#8243; z_index=&#8221;0&#8243; medium_visibility=&#8221;yes&#8221; medium_width=&#8221;0&#8243; mobile_visibility=&#8221;yes&#8221; mobile_width=&#8221;0&#8243; width=&#8221;5\/12&#8243; uncode_shortcode_id=&#8221;521940&#8243;][vc_custom_heading text_color=&#8221;accent&#8221; heading_semantic=&#8221;div&#8221; text_size=&#8221;fontsize-161209&#8243; text_weight=&#8221;400&#8243; text_transform=&#8221;uppercase&#8221; text_height=&#8221;fontheight-684119&#8243; text_space=&#8221;fontspace-210350&#8243; uncode_shortcode_id=&#8221;127268&#8243; text_color_type=&#8221;uncode-palette&#8221;]EIKON EDITIONEN[\/vc_custom_heading][vc_custom_heading text_color=&#8221;accent&#8221; heading_semantic=&#8221;div&#8221; text_size=&#8221;fontsize-160000&#8243; text_weight=&#8221;400&#8243; text_transform=&#8221;uppercase&#8221; text_height=&#8221;fontheight-684119&#8243; text_space=&#8221;fontspace-210350&#8243; uncode_shortcode_id=&#8221;119057&#8243; text_color_type=&#8221;uncode-palette&#8221;]2005[\/vc_custom_heading][vc_empty_space empty_h=&#8221;2&#8243; el_class=&#8221;maxpx1200displaynone&#8221;][vc_custom_heading heading_semantic=&#8221;h3&#8243; text_size=&#8221;custom&#8221; text_height=&#8221;fontheight-357766&#8243; uncode_shortcode_id=&#8221;562911&#8243; heading_custom_size=&#8221;clamp(1.3rem, 1rem + 1.4vw, 2.2rem)&#8221;]Anastasia Khoroshilova[\/vc_custom_heading][vc_custom_heading heading_semantic=&#8221;h3&#8243; text_size=&#8221;custom&#8221; uncode_shortcode_id=&#8221;153322&#8243; heading_custom_size=&#8221;clamp(2.2rem, 1.6rem + 3vw, 4rem)&#8221;]<em>W. Morozowa, Chmelita, Russland<\/em>[\/vc_custom_heading][vc_empty_space empty_h=&#8221;3&#8243; el_class=&#8221;maxpx1600displaynone&#8221;][vc_empty_space empty_h=&#8221;2&#8243;][vc_button button_color=&#8221;accent&#8221; outline=&#8221;yes&#8221; border_width=&#8221;0&#8243; link=&#8221;url:mailto%3Ainfo%40eikon.at|&#8221; button_color_type=&#8221;uncode-palette&#8221; uncode_shortcode_id=&#8221;121502&#8243;]ORDER MAGAZINE[\/vc_button][\/vc_column][\/vc_row][vc_row unlock_row_content=&#8221;yes&#8221; row_height_percent=&#8221;0&#8243; override_padding=&#8221;yes&#8221; h_padding=&#8221;5&#8243; top_padding=&#8221;0&#8243; bottom_padding=&#8221;2&#8243; overlay_alpha=&#8221;50&#8243; gutter_size=&#8221;4&#8243; column_width_percent=&#8221;100&#8243; shift_y=&#8221;0&#8243; z_index=&#8221;0&#8243; desktop_visibility=&#8221;yes&#8221; content_parallax=&#8221;0&#8243; uncode_shortcode_id=&#8221;153841&#8243;][vc_column column_width_percent=&#8221;100&#8243; gutter_size=&#8221;2&#8243; overlay_alpha=&#8221;50&#8243; shift_x=&#8221;0&#8243; shift_y=&#8221;0&#8243; shift_y_down=&#8221;0&#8243; z_index=&#8221;0&#8243; medium_width=&#8221;0&#8243; mobile_width=&#8221;0&#8243; width=&#8221;1\/1&#8243;][vc_custom_heading text_color=&#8221;accent&#8221; heading_semantic=&#8221;h1&#8243; text_size=&#8221;fontsize-160000&#8243; text_transform=&#8221;uppercase&#8221; text_height=&#8221;fontheight-357766&#8243; text_space=&#8221;fontspace-210350&#8243; uncode_shortcode_id=&#8221;565592&#8243; text_color_type=&#8221;uncode-palette&#8221;]2005[\/vc_custom_heading][vc_row_inner][vc_column_inner column_width_percent=&#8221;100&#8243; gutter_size=&#8221;2&#8243; overlay_alpha=&#8221;50&#8243; shift_x=&#8221;0&#8243; shift_y=&#8221;0&#8243; shift_y_down=&#8221;0&#8243; z_index=&#8221;0&#8243; medium_width=&#8221;0&#8243; mobile_width=&#8221;0&#8243; width=&#8221;2\/3&#8243;][vc_custom_heading heading_semantic=&#8221;h1&#8243; text_size=&#8221;fontsize-106718&#8243; separator=&#8221;yes&#8221; uncode_shortcode_id=&#8221;182391&#8243;]ANASTASIA KHOROSHILOVA &#8220;W. Morozowa, Chmelita, Russland&#8221;[\/vc_custom_heading][vc_empty_space empty_h=&#8221;1&#8243; desktop_visibility=&#8221;yes&#8221;][\/vc_column_inner][vc_column_inner column_width_percent=&#8221;100&#8243; gutter_size=&#8221;3&#8243; overlay_alpha=&#8221;50&#8243; shift_x=&#8221;0&#8243; shift_y=&#8221;0&#8243; shift_y_down=&#8221;0&#8243; z_index=&#8221;0&#8243; medium_visibility=&#8221;yes&#8221; medium_width=&#8221;0&#8243; mobile_visibility=&#8221;yes&#8221; mobile_width=&#8221;0&#8243; width=&#8221;1\/3&#8243; uncode_shortcode_id=&#8221;651671&#8243; el_class=&#8221;maxpx1200displaynone&#8221;][\/vc_column_inner][\/vc_row_inner][vc_empty_space empty_h=&#8221;4&#8243; medium_visibility=&#8221;yes&#8221; mobile_visibility=&#8221;yes&#8221;][\/vc_column][\/vc_row][vc_row unlock_row_content=&#8221;yes&#8221; row_height_percent=&#8221;0&#8243; override_padding=&#8221;yes&#8221; h_padding=&#8221;5&#8243; top_padding=&#8221;0&#8243; bottom_padding=&#8221;7&#8243; overlay_alpha=&#8221;50&#8243; gutter_size=&#8221;3&#8243; column_width_percent=&#8221;100&#8243; shift_y=&#8221;0&#8243; z_index=&#8221;0&#8243; content_parallax=&#8221;0&#8243; uncode_shortcode_id=&#8221;122216&#8243;][vc_column width=&#8221;2\/3&#8243;][vc_column_text uncode_shortcode_id=&#8221;155981&#8243;]ANASTASIA KHOROSHILOVA<br \/>\nW. Morozowa, Chmelita, Russland<\/p>\n<p>C-Print<br \/>\n40 x 50 cm, 2005<br \/>\nnummeriert<br \/>\nin Koorperation mit Galerie Ernst Hilger<br \/>\n<strong>Auflage:<\/strong> 30 + V<\/p>\n<p><strong>Preis<\/strong>: 420\u20ac (inkl. 10% USt)<\/p>\n<p>\u2192 <a href=\"mailto:info@eikon.at\">Bestellung<\/a>[\/vc_column_text][vc_empty_space][vc_column_text uncode_shortcode_id=&#8221;137534&#8243;]<\/p>\n<blockquote><p>Ich m\u00f6chte Menschen verschiedenster Nationalit\u00e4ten und religi\u00f6ser Konfessionen zusammenbringen, die im Laufe der Zeit aus den unterschiedlichsten L\u00e4ndern auf russischen Boden gelangt sind, um hier unter den von der Geschichte gepr\u00e4gten Bedingungen zusammen zu leben. Die Geschichte hat bereits so viele Pr\u00fcfungen und Versuche mit diesen Menschen durchgef\u00fchrt, dass eine st\u00e4ndige Furcht zum Bestandteil ihres Lebens und ihres Schicksals geworden ist. Deshalb beschloss ich f\u00fcr mich sofort, dass ich, selbst in meiner frei w\u00e4hlbaren, visuellen Welt, sie so zu belassen wie sie sind. Ich habe nicht den Wunsch, noch das Recht, mich in deren Realit\u00e4t einzumischen und sie erneut zu st\u00f6ren. Auf konzeptueller Ebene wurden sie zu meinem Konzept.<\/p>\n<p><small>Anastasia Khoroshilova, zu <em>Russkie<\/em><\/small><\/p><\/blockquote>\n<p>[\/vc_column_text][vc_empty_space][vc_column_text uncode_shortcode_id=&#8221;300277&#8243;]Die Arbeiten von <strong>Anastasia Khoroshilova<\/strong> sind keine Sozialstudie \u00fcber die b\u00e4uerliche Gesellschaft Russlands. Ebenso wenig handelt es sich um eine Reportage \u00fcber den Untergang der Bauernschaft. Vielmehr begibt sich die K\u00fcnstlerin auf die Suche nach der russischen Seele im Vergleich mit dem Schriftsteller Turgenjew, einem der ersten literarischen Verfechter der b\u00e4uerlichen Emanzipation und Aufhebung der Leibeigenschaft, der in seiner Erz\u00e4hlung Bezhin Lug, die der Serie auch den Namen gibt.<\/p>\n<p class=\"content_zeitschrift\">Die Einzelperson, als Individuum einer Gruppe, steht auch im Mittelpunkt Khoroshilovas erster zwischen 2002 und 2004 entstandenen Serie Islanders, einer Fotoreihe \u00fcber die Welt der Heime und Internate, \u00fcber die Welt jener Menschen, die wie die K\u00fcnstlerin selbst ihr Zuhause gegen gemeinschaftliches Wohnen eingetauscht haben.<\/p>\n<p>\u2192 Lesen Sie mehr \u00fcber die K\u00fcnstlerin in <a href=\"https:\/\/www.eikon.at\/content\/de\/zeitschrift_detail.php?zeitschrift_id=8\"><strong>EIKON #50, 2005<\/strong>, S.22-29<\/a>, Anastasia Khoroshilova, Der Mensch z\u00e4hlt \u2013 er erz\u00e4hlt, Autor: Marion Geier.[\/vc_column_text][vc_empty_space][vc_empty_space][\/vc_column][vc_column column_width_percent=&#8221;100&#8243; gutter_size=&#8221;3&#8243; overlay_alpha=&#8221;50&#8243; shift_x=&#8221;0&#8243; shift_y=&#8221;0&#8243; shift_y_down=&#8221;0&#8243; z_index=&#8221;0&#8243; medium_visibility=&#8221;yes&#8221; medium_width=&#8221;0&#8243; mobile_visibility=&#8221;yes&#8221; mobile_width=&#8221;0&#8243; width=&#8221;1\/4&#8243; uncode_shortcode_id=&#8221;187838&#8243; el_class=&#8221;maxpx1400displaynone&#8221;][\/vc_column][vc_column column_width_percent=&#8221;100&#8243; gutter_size=&#8221;3&#8243; overlay_alpha=&#8221;50&#8243; shift_x=&#8221;0&#8243; shift_y=&#8221;0&#8243; shift_y_down=&#8221;0&#8243; z_index=&#8221;0&#8243; medium_visibility=&#8221;yes&#8221; medium_width=&#8221;0&#8243; mobile_visibility=&#8221;yes&#8221; mobile_width=&#8221;0&#8243; width=&#8221;1\/12&#8243; uncode_shortcode_id=&#8221;176000&#8243;][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>EIKON #133 \u2013 Instability | Glitch Ecologies<br \/>\nPhotography no longer exists as a clearly defined medium, but as part of a complex constellation of visual practices. Cameras, algorithms, archives, and machine learning models all produce images \u2013 often without a direct connection to visible reality. What does photography mean when it is no longer produced through light, but through calculation?  <\/p>\n","protected":false},"author":4,"featured_media":179480,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[334,334,333,333],"tags":[424,509,469],"class_list":["post-179470","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-edition","category-eikon","tag-424","tag-edition","tag-thomas-freiler"],"_links":{"self":[{"href":"https:\/\/new.eikon.at\/en\/wp-json\/wp\/v2\/posts\/179470","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/new.eikon.at\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/new.eikon.at\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/new.eikon.at\/en\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/new.eikon.at\/en\/wp-json\/wp\/v2\/comments?post=179470"}],"version-history":[{"count":3,"href":"https:\/\/new.eikon.at\/en\/wp-json\/wp\/v2\/posts\/179470\/revisions"}],"predecessor-version":[{"id":179473,"href":"https:\/\/new.eikon.at\/en\/wp-json\/wp\/v2\/posts\/179470\/revisions\/179473"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/new.eikon.at\/en\/wp-json\/wp\/v2\/media\/179480"}],"wp:attachment":[{"href":"https:\/\/new.eikon.at\/en\/wp-json\/wp\/v2\/media?parent=179470"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/new.eikon.at\/en\/wp-json\/wp\/v2\/categories?post=179470"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/new.eikon.at\/en\/wp-json\/wp\/v2\/tags?post=179470"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}