{"id":179047,"date":"2007-07-09T13:56:04","date_gmt":"2007-07-09T11:56:04","guid":{"rendered":"https:\/\/new.eikon.at\/?p=179047"},"modified":"2026-07-09T13:56:04","modified_gmt":"2026-07-09T11:56:04","slug":"magazine-133-2-2-5-2","status":"publish","type":"post","link":"https:\/\/new.eikon.at\/en\/magazine-133-2-2-5-2\/","title":{"rendered":"#133 Instability | Glitch Ecologies – copy – copy – copy – copy"},"content":{"rendered":"
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[vc_row row_height_percent=”0″ override_padding=”yes” h_padding=”2″ top_padding=”0″ bottom_padding=”0″ back_color=”color-xsdn” overlay_alpha=”50″ gutter_size=”3″ column_width_percent=”100″ no_h_border=”yes” no_h_border_tablet=”yes” no_h_border_mobile=”yes” shift_y=”0″ z_index=”0″ sticky=”yes” content_parallax=”0″ uncode_shortcode_id=”822296″ back_color_type=”uncode-palette”][vc_column column_width_percent=”100″ align_horizontal=”align_center” gutter_size=”0″ override_padding=”yes” column_padding=”0″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/1″ uncode_shortcode_id=”264804″][vc_custom_heading text_size=”custom” desktop_visibility=”yes” medium_visibility=”yes” mobile_visibility=”yes” sticky_trigger=”yes” uncode_shortcode_id=”203212″ heading_custom_size=”clamp(2.75rem, 4vw + 0.75rem, 5rem)”][\/vc_custom_heading][\/vc_column][\/vc_row][vc_row unlock_row_content=”yes” row_height_percent=”0″ override_padding=”yes” h_padding=”5″ top_padding=”0″ bottom_padding=”2″ overlay_alpha=”50″ gutter_size=”6″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ content_parallax=”0″ uncode_shortcode_id=”243569″][vc_column column_width_percent=”100″ position_horizontal=”left” gutter_size=”3″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”7\/12″ uncode_shortcode_id=”658435″][vc_gallery el_id=”gallery-123448″ type=”carousel” medias=”179034″ gallery_back_color=”color-xsdn” carousel_lg=”1″ carousel_md=”1″ carousel_sm=”1″ gutter_size=”3″ media_items=”media|lightbox|original,caption” carousel_type=”fade” carousel_interval=”10000″ carousel_hover=”yes” carousel_navspeed=”1000″ carousel_loop=”yes” carousel_dot_position=”left” stage_padding=”0″ single_style=”dark” single_overlay_color=”color-jevc” single_overlay_opacity=”1″ single_overlay_visible=”yes” single_overlay_anim=”no” single_text_visible=”yes” single_text_anim=”no” single_image_anim=”no” single_v_position=”bottom” single_padding=”0″ single_text_reduced=”yes” single_meta_custom_typo=”yes” single_meta_weight=”300″ single_border=”yes” lbox_caption=”yes” uncode_shortcode_id=”350016″ gallery_back_color_type=”uncode-palette”][\/vc_column][vc_column column_width_percent=”100″ position_vertical=”middle” gutter_size=”1″ override_padding=”yes” column_padding=”2″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_visibility=”yes” medium_width=”0″ mobile_visibility=”yes” mobile_width=”0″ width=”5\/12″ uncode_shortcode_id=”521940″][vc_custom_heading text_color=”accent” heading_semantic=”div” text_size=”fontsize-161209″ text_weight=”400″ text_transform=”uppercase” text_height=”fontheight-684119″ text_space=”fontspace-210350″ uncode_shortcode_id=”127268″ text_color_type=”uncode-palette”]EIKON EDITIONEN[\/vc_custom_heading][vc_custom_heading text_color=”accent” heading_semantic=”div” text_size=”fontsize-160000″ text_weight=”400″ text_transform=”uppercase” text_height=”fontheight-684119″ text_space=”fontspace-210350″ uncode_shortcode_id=”217013″ text_color_type=”uncode-palette”]2007-2010\/2012[\/vc_custom_heading][vc_empty_space empty_h=”2″ el_class=”maxpx1200displaynone”][vc_custom_heading heading_semantic=”h3″ text_size=”custom” text_height=”fontheight-357766″ uncode_shortcode_id=”248049″ heading_custom_size=”clamp(1.3rem, 1rem + 1.4vw, 2.2rem)”]Thomas Freiler[\/vc_custom_heading][vc_custom_heading heading_semantic=”h3″ text_size=”custom” uncode_shortcode_id=”129332″ heading_custom_size=”clamp(2.2rem, 1.6rem + 3vw, 4rem)”]*.Rom<\/em>[\/vc_custom_heading][vc_empty_space empty_h=”3″ el_class=”maxpx1600displaynone”][vc_empty_space empty_h=”2″][vc_button button_color=”accent” outline=”yes” border_width=”0″ link=”url:mailto%3Ainfo%40eikon.at|” button_color_type=”uncode-palette” uncode_shortcode_id=”121502″]ORDER MAGAZINE[\/vc_button][\/vc_column][\/vc_row][vc_row unlock_row_content=”yes” row_height_percent=”0″ override_padding=”yes” h_padding=”5″ top_padding=”0″ bottom_padding=”2″ overlay_alpha=”50″ gutter_size=”4″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ desktop_visibility=”yes” content_parallax=”0″ uncode_shortcode_id=”153841″][vc_column column_width_percent=”100″ gutter_size=”2″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/1″][vc_custom_heading text_color=”accent” heading_semantic=”h1″ text_size=”fontsize-160000″ text_transform=”uppercase” text_height=”fontheight-357766″ text_space=”fontspace-210350″ uncode_shortcode_id=”185319″ text_color_type=”uncode-palette”]1996[\/vc_custom_heading][vc_row_inner][vc_column_inner column_width_percent=”100″ gutter_size=”2″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”2\/3″][vc_custom_heading heading_semantic=”h1″ text_size=”fontsize-106718″ separator=”yes” uncode_shortcode_id=”119614″]Thomas Freiler – *.Rom[\/vc_custom_heading][vc_empty_space empty_h=”1″ desktop_visibility=”yes”][\/vc_column_inner][vc_column_inner column_width_percent=”100″ gutter_size=”3″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_visibility=”yes” medium_width=”0″ mobile_visibility=”yes” mobile_width=”0″ width=”1\/3″ uncode_shortcode_id=”651671″ el_class=”maxpx1200displaynone”][\/vc_column_inner][\/vc_row_inner][vc_empty_space empty_h=”4″ medium_visibility=”yes” mobile_visibility=”yes”][\/vc_column][\/vc_row][vc_row unlock_row_content=”yes” row_height_percent=”0″ override_padding=”yes” h_padding=”5″ top_padding=”0″ bottom_padding=”7″ overlay_alpha=”50″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ content_parallax=”0″ uncode_shortcode_id=”122216″][vc_column width=”2\/3″][vc_column_text uncode_shortcode_id=”156555″]THOMAS FREILER<\/span>
\n<\/span>*.Rom<\/span>\u00a0<\/span><\/p>\n

SW-Print auf Chlorsilberemulsion
\n30×30 cm, 1996<\/span>
\nnummeriert und handsigniert<\/span>
\nAuflage:<\/span><\/b> 25 + III<\/span>\u00a0<\/span><\/p>\n

Preis:<\/span><\/b> \u20ac 245,00 (inkl. 10% USt)<\/span>\u00a0<\/span><\/p>\n

\u2192 Bestellung<\/a>[\/vc_column_text][vc_column_text uncode_shortcode_id=”814492″]Diese Aufnahme stammt aus einem gro\u00dfen Konvolut von <\/span>Photos<\/span>, die 1996 in Rom mit einer eigens f\u00fcr diese Stadt entworfenen und gebauten Kamera entstanden sind. Die Charakteristika dieser Kamera sind: ein Normalwinkelobjektiv mit <\/span>Zentralverschlu\u00df<\/span> (Brennweite 45 mm) vor einer Amateurkleinbildkamera wurden vor einem 6-x-6-Rollfilmmagazin montiert. Der Bildkreis des Objektivs besitzt einen Durchmesser von circa 5,2 cm, was bedeutet, dass das runde Objektivbild nicht durch einen Formatrahmen beschnitten wird und am 6 x 6 cm gro\u00dfen Negativ zur G\u00e4nze festgehalten wird. Deshalb ist dieses, wie die anderen Bilder aus diesem Zyklus, rund mit allen optischen “Fehlern” zum Rand hin, die gew\u00f6hnlichen Objektiven wie dem verwendeten eigen sind. Die Kamera hat circa das Volumen eines W\u00fcrfels mit 9 cm Seitenl\u00e4nge, ist also recht kompakt und \u2013 obwohl vollkommen manuell – von ihrer einfachen Bedienung her f\u00fcr rasche <\/span>schnappschu\u00dfartige<\/span> Aufnahmen konzipiert.
\n<\/span><\/span>[\/vc_column_text][vc_empty_space][vc_column_text uncode_shortcode_id=”420408″]<\/p>\n

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Im Gegensatz zur gro\u00dfen, auf ein Stativ angewiesenen Kamera f\u00fcr Paris, war mir hier gerade wichtig, ein handliches, schnell einsatzbereites Ger\u00e4t zu entwerfen, mit dem ich auf das lebendige Treiben in dieser uralten Stadt reagieren konnte, ohne die festgehaltenen Momente in ein rechteckiges Format zu arrangieren. Zum einen entspricht das runde Objektivbild den in dieser Stadt besonders dominanten Kreis- und Bogenformen, zum anderen verweist es auf die Konstruktion der Bildapparate, f\u00fchrt sie optisch zu dem hin, was diese Bilder sind: Blicke einer Maschine.<\/p>\n

Thomas Freiler<\/small><\/p><\/blockquote>\n

[\/vc_column_text][vc_empty_space][vc_empty_space][vc_empty_space][\/vc_column][vc_column column_width_percent=”100″ gutter_size=”3″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_visibility=”yes” medium_width=”0″ mobile_visibility=”yes” mobile_width=”0″ width=”1\/4″ uncode_shortcode_id=”187838″ el_class=”maxpx1400displaynone”][\/vc_column][vc_column column_width_percent=”100″ gutter_size=”3″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_visibility=”yes” medium_width=”0″ mobile_visibility=”yes” mobile_width=”0″ width=”1\/12″ uncode_shortcode_id=”176000″][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

EIKON #133 \u2013 Instability | Glitch Ecologies
\nPhotography no longer exists as a clearly defined medium, but as part of a complex constellation of visual practices. Cameras, algorithms, archives, and machine learning models all produce images \u2013 often without a direct connection to visible reality. What does photography mean when it is no longer produced through light, but through calculation? <\/p>\n","protected":false},"author":4,"featured_media":179215,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[334,333,333,334],"tags":[424,469,509],"class_list":["post-179047","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-edition","category-eikon","tag-424","tag-thomas-freiler","tag-edition"],"_links":{"self":[{"href":"https:\/\/new.eikon.at\/en\/wp-json\/wp\/v2\/posts\/179047","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/new.eikon.at\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/new.eikon.at\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/new.eikon.at\/en\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/new.eikon.at\/en\/wp-json\/wp\/v2\/comments?post=179047"}],"version-history":[{"count":3,"href":"https:\/\/new.eikon.at\/en\/wp-json\/wp\/v2\/posts\/179047\/revisions"}],"predecessor-version":[{"id":179050,"href":"https:\/\/new.eikon.at\/en\/wp-json\/wp\/v2\/posts\/179047\/revisions\/179050"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/new.eikon.at\/en\/wp-json\/wp\/v2\/media\/179215"}],"wp:attachment":[{"href":"https:\/\/new.eikon.at\/en\/wp-json\/wp\/v2\/media?parent=179047"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/new.eikon.at\/en\/wp-json\/wp\/v2\/categories?post=179047"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/new.eikon.at\/en\/wp-json\/wp\/v2\/tags?post=179047"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}