{"id":178821,"date":"2026-07-06T12:00:00","date_gmt":"2026-07-06T10:00:00","guid":{"rendered":"https:\/\/new.eikon.at\/?p=178821"},"modified":"2026-07-06T13:02:05","modified_gmt":"2026-07-06T11:02:05","slug":"magazine-4e","status":"publish","type":"post","link":"https:\/\/new.eikon.at\/en\/magazine-4e\/","title":{"rendered":"Riitta P\u00e4iv\u00e4l\u00e4inen"},"content":{"rendered":"
\"\"<\/a><\/div>

[vc_row row_height_percent=”0″ override_padding=”yes” h_padding=”2″ top_padding=”0″ bottom_padding=”0″ back_color=”color-xsdn” overlay_alpha=”50″ gutter_size=”3″ column_width_percent=”100″ no_h_border=”yes” no_h_border_tablet=”yes” no_h_border_mobile=”yes” shift_y=”0″ z_index=”0″ sticky=”yes” content_parallax=”0″ uncode_shortcode_id=”822296″ back_color_type=”uncode-palette”][vc_column column_width_percent=”100″ align_horizontal=”align_center” gutter_size=”0″ override_padding=”yes” column_padding=”0″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/1″ uncode_shortcode_id=”264804″][vc_custom_heading text_size=”custom” desktop_visibility=”yes” medium_visibility=”yes” mobile_visibility=”yes” sticky_trigger=”yes” uncode_shortcode_id=”170814″ heading_custom_size=”clamp(2.75rem, 4vw + 0.75rem, 5rem)”][\/vc_custom_heading][\/vc_column][\/vc_row][vc_row unlock_row_content=”yes” row_height_percent=”0″ override_padding=”yes” h_padding=”5″ top_padding=”0″ bottom_padding=”2″ overlay_alpha=”50″ gutter_size=”6″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ content_parallax=”0″ uncode_shortcode_id=”243569″][vc_column column_width_percent=”100″ position_horizontal=”left” gutter_size=”3″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”7\/12″ uncode_shortcode_id=”658435″][vc_gallery el_id=”gallery-123448″ type=”carousel” medias=”178841″ gallery_back_color=”color-xsdn” carousel_lg=”1″ carousel_md=”1″ carousel_sm=”1″ gutter_size=”3″ media_items=”media|lightbox|original,caption” carousel_type=”fade” carousel_interval=”10000″ carousel_hover=”yes” carousel_navspeed=”1000″ carousel_loop=”yes” carousel_dot_position=”left” stage_padding=”0″ single_style=”dark” single_overlay_color=”color-jevc” single_overlay_opacity=”1″ single_overlay_visible=”yes” single_overlay_anim=”no” single_text_visible=”yes” single_text_anim=”no” single_image_anim=”no” single_v_position=”bottom” single_padding=”0″ single_text_reduced=”yes” single_meta_custom_typo=”yes” single_meta_weight=”300″ single_border=”yes” lbox_caption=”yes” uncode_shortcode_id=”139790″ gallery_back_color_type=”uncode-palette”][\/vc_column][vc_column column_width_percent=”100″ position_vertical=”middle” gutter_size=”1″ override_padding=”yes” column_padding=”2″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_visibility=”yes” medium_width=”0″ mobile_visibility=”yes” mobile_width=”0″ width=”5\/12″ uncode_shortcode_id=”521940″][vc_custom_heading text_color=”accent” heading_semantic=”div” text_size=”fontsize-161209″ text_weight=”400″ text_transform=”uppercase” text_height=”fontheight-684119″ text_space=”fontspace-210350″ uncode_shortcode_id=”149185″ text_color_type=”uncode-palette”]MAGAZINE #133[\/vc_custom_heading][vc_custom_heading text_color=”accent” heading_semantic=”div” text_size=”fontsize-160000″ text_weight=”400″ text_transform=”uppercase” text_height=”fontheight-684119″ text_space=”fontspace-210350″ uncode_shortcode_id=”772947″ text_color_type=”uncode-palette”]2026\/07[\/vc_custom_heading][vc_custom_heading heading_semantic=”h3″ text_size=”custom” text_height=”fontheight-357766″ desktop_visibility=”yes” uncode_shortcode_id=”134918″ heading_custom_size=”clamp(1.3rem, 1rem + 1.4vw, 2.2rem)”]Gudrun Zacharias[\/vc_custom_heading][vc_custom_heading heading_semantic=”h3″ text_size=”custom” uncode_shortcode_id=”892255″ heading_custom_size=”clamp(2.2rem, 1.6rem + 3vw, 4rem)”]RIITTA P\u00c4IV\u00c4L\u00c4INEN[\/vc_custom_heading][vc_empty_space empty_h=”2″][\/vc_column][\/vc_row][vc_row unlock_row_content=”yes” row_height_percent=”0″ override_padding=”yes” h_padding=”5″ top_padding=”0″ bottom_padding=”2″ overlay_alpha=”50″ gutter_size=”4″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ desktop_visibility=”yes” content_parallax=”0″ uncode_shortcode_id=”153841″][vc_column column_width_percent=”100″ gutter_size=”2″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/1″][vc_custom_heading text_color=”accent” heading_semantic=”h1″ text_size=”fontsize-160000″ text_transform=”uppercase” text_height=”fontheight-357766″ text_space=”fontspace-210350″ uncode_shortcode_id=”195649″ text_color_type=”uncode-palette”]2026\/07[\/vc_custom_heading][vc_custom_heading text_color=”accent” heading_semantic=”div” text_size=”fontsize-161209″ text_weight=”400″ text_transform=”uppercase” text_height=”fontheight-684119″ text_space=”fontspace-210350″ uncode_shortcode_id=”320938″ text_color_type=”uncode-palette”]MAGAZINE #133[\/vc_custom_heading][vc_custom_heading auto_text=”yes” uncode_shortcode_id=”142092″][\/vc_custom_heading][\/vc_column][\/vc_row][vc_row unlock_row_content=”yes” row_height_percent=”0″ override_padding=”yes” h_padding=”5″ top_padding=”0″ bottom_padding=”7″ overlay_alpha=”50″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ content_parallax=”0″ uncode_shortcode_id=”122216″][vc_column width=”2\/3″][vc_custom_heading sub_reduced=”yes” uncode_shortcode_id=”605636″]Landscapes of Presence and Absence <\/span>[\/vc_custom_heading][vc_column_text text_lead=”small” uncode_shortcode_id=”222144″]Gudrun Zacharias[\/vc_column_text][vc_column_text uncode_shortcode_id=”919753″]Deeply rooted in the landscapes of Finland, Riitta P\u00e4iv\u00e4l\u00e4inen has, since the late 1990s, developed a body of work in which nature is not a backdrop but a counterpart. The forests, lakes, and wetlands of her homeland shape her visual language as profoundly as the memory of a childhood in which the landscape was experienced as a living world, inhabited by imaginary beings and stories. \u201cPerhaps this is why I see landscape as a mental space,\u201d the artist reflects. <\/span>[\/vc_column_text][vc_column_text uncode_shortcode_id=”192879″]\u2192 in EIKON #133<\/a>
\nLanguage<\/strong> | German \/ English
\nSize<\/strong> | 280 x 210 mm
\nISBN<\/strong> | 978-3-904083-27-0
\n112 Pages
\nPrice:<\/strong> \u20ac 18,00 (incl. 10% USt)[\/vc_column_text][vc_empty_space][vc_column_text uncode_shortcode_id=”922286″]<\/p>\n

\"\"<\/a><\/div>

The images seem imbued with stories, yet they refuse any clear narrative. <\/span><\/p>\n

Gudrun Zacharias<\/small><\/p><\/blockquote>\n

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Her photographs linger like memories of something one has never experienced, yet somehow feels one has always known. <\/span><\/p>\n

Gudrun Zacharias<\/small><\/p><\/blockquote>\n

[\/vc_column_text][\/vc_column][vc_column column_width_percent=”100″ gutter_size=”3″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_visibility=”yes” medium_width=”0″ mobile_visibility=”yes” mobile_width=”0″ width=”1\/4″ uncode_shortcode_id=”187838″ el_class=”maxpx1400displaynone”][\/vc_column][vc_column column_width_percent=”100″ gutter_size=”3″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_visibility=”yes” medium_width=”0″ mobile_visibility=”yes” mobile_width=”0″ width=”1\/12″ uncode_shortcode_id=”176000″][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

Deeply rooted in the landscapes of Finland, Riitta P\u00e4iv\u00e4l\u00e4inen has, since the late 1990s, developed a body of work in which nature is not a backdrop but a counterpart.<\/p>\n","protected":false},"author":4,"featured_media":178841,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[318,332],"tags":[519,545,546],"class_list":["post-178821","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-portfolio","category-artist","tag-gudrun-zacharias","tag-545","tag-riitta-paeivaelaeinen"],"_links":{"self":[{"href":"https:\/\/new.eikon.at\/en\/wp-json\/wp\/v2\/posts\/178821","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/new.eikon.at\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/new.eikon.at\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/new.eikon.at\/en\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/new.eikon.at\/en\/wp-json\/wp\/v2\/comments?post=178821"}],"version-history":[{"count":12,"href":"https:\/\/new.eikon.at\/en\/wp-json\/wp\/v2\/posts\/178821\/revisions"}],"predecessor-version":[{"id":178879,"href":"https:\/\/new.eikon.at\/en\/wp-json\/wp\/v2\/posts\/178821\/revisions\/178879"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/new.eikon.at\/en\/wp-json\/wp\/v2\/media\/178841"}],"wp:attachment":[{"href":"https:\/\/new.eikon.at\/en\/wp-json\/wp\/v2\/media?parent=178821"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/new.eikon.at\/en\/wp-json\/wp\/v2\/categories?post=178821"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/new.eikon.at\/en\/wp-json\/wp\/v2\/tags?post=178821"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}