{"id":176891,"date":"2024-02-12T12:00:27","date_gmt":"2024-02-12T11:00:27","guid":{"rendered":"https:\/\/new.eikon.at\/?p=176891"},"modified":"2026-05-07T12:54:53","modified_gmt":"2026-05-07T10:54:53","slug":"magazine-2-2-2-3-2","status":"publish","type":"post","link":"https:\/\/new.eikon.at\/en\/magazine-2-2-2-3-2\/","title":{"rendered":"#125 20 Years of the VERBUND COLLECTION"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><p>[vc_row row_height_percent=&#8221;0&#8243; override_padding=&#8221;yes&#8221; h_padding=&#8221;2&#8243; top_padding=&#8221;0&#8243; bottom_padding=&#8221;0&#8243; back_color=&#8221;color-xsdn&#8221; overlay_alpha=&#8221;50&#8243; gutter_size=&#8221;3&#8243; column_width_percent=&#8221;100&#8243; no_h_border=&#8221;yes&#8221; no_h_border_tablet=&#8221;yes&#8221; no_h_border_mobile=&#8221;yes&#8221; shift_y=&#8221;0&#8243; z_index=&#8221;0&#8243; sticky=&#8221;yes&#8221; content_parallax=&#8221;0&#8243; uncode_shortcode_id=&#8221;822296&#8243; back_color_type=&#8221;uncode-palette&#8221;][vc_column column_width_percent=&#8221;100&#8243; 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single_overlay_color=&#8221;color-jevc&#8221; single_overlay_opacity=&#8221;1&#8243; single_overlay_visible=&#8221;yes&#8221; single_overlay_anim=&#8221;no&#8221; single_text_visible=&#8221;yes&#8221; single_text_anim=&#8221;no&#8221; single_image_anim=&#8221;no&#8221; single_v_position=&#8221;bottom&#8221; single_padding=&#8221;0&#8243; single_text_reduced=&#8221;yes&#8221; single_meta_custom_typo=&#8221;yes&#8221; single_meta_weight=&#8221;300&#8243; single_border=&#8221;yes&#8221; lbox_caption=&#8221;yes&#8221; uncode_shortcode_id=&#8221;111787&#8243; gallery_back_color_type=&#8221;uncode-palette&#8221;][\/vc_column][vc_column column_width_percent=&#8221;100&#8243; position_vertical=&#8221;middle&#8221; gutter_size=&#8221;1&#8243; override_padding=&#8221;yes&#8221; column_padding=&#8221;2&#8243; overlay_alpha=&#8221;50&#8243; shift_x=&#8221;0&#8243; shift_y=&#8221;0&#8243; shift_y_down=&#8221;0&#8243; z_index=&#8221;0&#8243; medium_visibility=&#8221;yes&#8221; medium_width=&#8221;0&#8243; mobile_visibility=&#8221;yes&#8221; mobile_width=&#8221;0&#8243; width=&#8221;5\/12&#8243; uncode_shortcode_id=&#8221;521940&#8243;][vc_custom_heading text_color=&#8221;accent&#8221; heading_semantic=&#8221;div&#8221; text_size=&#8221;fontsize-161209&#8243; text_weight=&#8221;400&#8243; text_transform=&#8221;uppercase&#8221; text_height=&#8221;fontheight-684119&#8243; text_space=&#8221;fontspace-210350&#8243; uncode_shortcode_id=&#8221;898700&#8243; text_color_type=&#8221;uncode-palette&#8221;]MAGAZINE[\/vc_custom_heading][vc_custom_heading text_color=&#8221;accent&#8221; heading_semantic=&#8221;div&#8221; text_size=&#8221;fontsize-160000&#8243; text_weight=&#8221;400&#8243; text_transform=&#8221;uppercase&#8221; text_height=&#8221;fontheight-684119&#8243; text_space=&#8221;fontspace-210350&#8243; uncode_shortcode_id=&#8221;847227&#8243; text_color_type=&#8221;uncode-palette&#8221;]2024\/02[\/vc_custom_heading][vc_empty_space empty_h=&#8221;2&#8243; el_class=&#8221;maxpx1200displaynone&#8221;][vc_custom_heading heading_semantic=&#8221;h3&#8243; text_size=&#8221;custom&#8221; text_height=&#8221;fontheight-357766&#8243; uncode_shortcode_id=&#8221;434563&#8243; heading_custom_size=&#8221;clamp(1.3rem, 1rem + 1.4vw, 2.2rem)&#8221;]EIKON #125[\/vc_custom_heading][vc_custom_heading heading_semantic=&#8221;h3&#8243; text_size=&#8221;custom&#8221; uncode_shortcode_id=&#8221;624328&#8243; heading_custom_size=&#8221;clamp(2.2rem, 1.6rem + 3vw, 4rem)&#8221;]20 Years of the VERBUND COLLECTION[\/vc_custom_heading][vc_empty_space empty_h=&#8221;3&#8243; el_class=&#8221;maxpx1600displaynone&#8221;][vc_empty_space empty_h=&#8221;2&#8243;][vc_button button_color=&#8221;accent&#8221; outline=&#8221;yes&#8221; border_width=&#8221;0&#8243; link=&#8221;url:%23|&#8221; button_color_type=&#8221;uncode-palette&#8221; uncode_shortcode_id=&#8221;385239&#8243;]ORDER MAGAZINE[\/vc_button][\/vc_column][\/vc_row][vc_row unlock_row_content=&#8221;yes&#8221; row_height_percent=&#8221;0&#8243; override_padding=&#8221;yes&#8221; h_padding=&#8221;5&#8243; top_padding=&#8221;0&#8243; bottom_padding=&#8221;2&#8243; overlay_alpha=&#8221;50&#8243; gutter_size=&#8221;4&#8243; column_width_percent=&#8221;100&#8243; shift_y=&#8221;0&#8243; z_index=&#8221;0&#8243; desktop_visibility=&#8221;yes&#8221; content_parallax=&#8221;0&#8243; uncode_shortcode_id=&#8221;153841&#8243;][vc_column column_width_percent=&#8221;100&#8243; gutter_size=&#8221;2&#8243; overlay_alpha=&#8221;50&#8243; shift_x=&#8221;0&#8243; shift_y=&#8221;0&#8243; shift_y_down=&#8221;0&#8243; z_index=&#8221;0&#8243; medium_width=&#8221;0&#8243; mobile_width=&#8221;0&#8243; width=&#8221;1\/1&#8243;][vc_custom_heading text_color=&#8221;accent&#8221; heading_semantic=&#8221;h1&#8243; text_size=&#8221;fontsize-160000&#8243; text_transform=&#8221;uppercase&#8221; text_height=&#8221;fontheight-357766&#8243; text_space=&#8221;fontspace-210350&#8243; uncode_shortcode_id=&#8221;175547&#8243; text_color_type=&#8221;uncode-palette&#8221;]2025\/02[\/vc_custom_heading][vc_row_inner][vc_column_inner column_width_percent=&#8221;100&#8243; gutter_size=&#8221;2&#8243; overlay_alpha=&#8221;50&#8243; shift_x=&#8221;0&#8243; shift_y=&#8221;0&#8243; shift_y_down=&#8221;0&#8243; z_index=&#8221;0&#8243; medium_width=&#8221;0&#8243; mobile_width=&#8221;0&#8243; width=&#8221;2\/3&#8243;][vc_custom_heading heading_semantic=&#8221;h1&#8243; text_size=&#8221;fontsize-106718&#8243; separator=&#8221;yes&#8221; uncode_shortcode_id=&#8221;596363&#8243;]EIKON #125 | 20 Years of the VERBUND COLLECTION[\/vc_custom_heading][vc_empty_space empty_h=&#8221;1&#8243; desktop_visibility=&#8221;yes&#8221;][\/vc_column_inner][vc_column_inner column_width_percent=&#8221;100&#8243; gutter_size=&#8221;3&#8243; overlay_alpha=&#8221;50&#8243; shift_x=&#8221;0&#8243; shift_y=&#8221;0&#8243; shift_y_down=&#8221;0&#8243; z_index=&#8221;0&#8243; medium_visibility=&#8221;yes&#8221; medium_width=&#8221;0&#8243; mobile_visibility=&#8221;yes&#8221; mobile_width=&#8221;0&#8243; width=&#8221;1\/3&#8243; uncode_shortcode_id=&#8221;651671&#8243; el_class=&#8221;maxpx1200displaynone&#8221;][\/vc_column_inner][\/vc_row_inner][vc_empty_space empty_h=&#8221;4&#8243; medium_visibility=&#8221;yes&#8221; mobile_visibility=&#8221;yes&#8221;][\/vc_column][\/vc_row][vc_row unlock_row_content=&#8221;yes&#8221; row_height_percent=&#8221;0&#8243; override_padding=&#8221;yes&#8221; h_padding=&#8221;5&#8243; top_padding=&#8221;0&#8243; bottom_padding=&#8221;7&#8243; overlay_alpha=&#8221;50&#8243; gutter_size=&#8221;3&#8243; column_width_percent=&#8221;100&#8243; shift_y=&#8221;0&#8243; z_index=&#8221;0&#8243; content_parallax=&#8221;0&#8243; uncode_shortcode_id=&#8221;122216&#8243;][vc_column width=&#8221;2\/3&#8243;][vc_column_text uncode_shortcode_id=&#8221;776882&#8243;]Artists: Ilit Azoulay | Joachim Brohm | Judith Huemer | Nika Kupyrova | K\u00e4the Hager von Strobele<\/p>\n<p>Authors: Thomas Ballhausen | Daniel Blochwitz | Reinhard Braun | Wolfgang Br\u00fcckle | Kathrin Heinrich | Christian H\u00f6ller | Peter Kunitzky | Maren L\u00fcbbke-Tidow | Katharina Manojlovic | Christina Natlacen | Margit Neuhold | Michaela Obermair | Uta M. Reindl | Nina Schedlmayer | Walter Seidl | Barbara Unterthurner | Caroline von Courten[\/vc_column_text][vc_column_text uncode_shortcode_id=&#8221;786159&#8243;]Languages | Deutsch \/ Englisch<br \/>\nSize | 280 x 210 mm<br \/>\n<strong>ISBN<\/strong> | 978-3-904083-18-8<br \/>\n96 Pages<br \/>\n<strong>Prize:<\/strong> \u20ac 18,00 (inkl. 10% USt)[\/vc_column_text][vc_empty_space][vc_empty_space][vc_gallery el_id=&#8221;gallery-203623&#8243; type=&#8221;carousel&#8221; gallery_back_color=&#8221;color-xsdn&#8221; carousel_lg=&#8221;3&#8243; carousel_md=&#8221;3&#8243; carousel_sm=&#8221;1&#8243; gutter_size=&#8221;3&#8243; media_items=&#8221;media|lightbox|original,caption&#8221; carousel_interval=&#8221;3000&#8243; carousel_navspeed=&#8221;400&#8243; carousel_loop=&#8221;yes&#8221; stage_padding=&#8221;0&#8243; single_text=&#8221;under&#8221; single_overlay_opacity=&#8221;1&#8243; single_overlay_visible=&#8221;yes&#8221; single_overlay_anim=&#8221;no&#8221; single_text_visible=&#8221;yes&#8221; single_text_anim=&#8221;no&#8221; single_image_anim=&#8221;no&#8221; single_v_position=&#8221;bottom&#8221; single_padding=&#8221;0&#8243; single_text_reduced=&#8221;yes&#8221; single_meta_custom_typo=&#8221;yes&#8221; single_meta_weight=&#8221;300&#8243; single_border=&#8221;yes&#8221; lbox_caption=&#8221;yes&#8221; uncode_shortcode_id=&#8221;236037&#8243; gallery_back_color_type=&#8221;uncode-palette&#8221;][vc_empty_space][vc_column_text uncode_shortcode_id=&#8221;232337&#8243;]<strong>CONTENT<\/strong><\/p>\n<p><u>PORTFOLIO<br \/>\n<\/u>ILIT AZOULAY | Maren L\u00fcbbke-Tidow<br \/>\nK\u00c4THE HAGER VON STROBELE | Katharina Manojlovic<br \/>\nJOACHIM BROHM | Reinhard Braun<br \/>\nNIKA KUPYROVA | Pia Draskovits<br \/>\nJUDITH HUEMER | Kathrin Heinrich<\/p>\n<p><u>FOCUS<br \/>\n<\/u>20 Years of the SAMMLUNG VERBUND<br \/>\nA Conversation with Founding Director Gabriele Schor | Nina Schedlmayer<\/p>\n<p><u>ART MARKET<br \/>\n<\/u>SPARK featuring video: Scott Clifford Evans\u2019s Murderkino | Walter Seidl<\/p>\n<p><u>ARTS &amp; STUDIES<br \/>\n<\/u>Carlos Vergara | Michaela Obermair<\/p>\n<p><u>FORUM<\/u><br \/>\nBuilt on Sand? Wrangling over the German Photo Institute | Uta M. Reindl<\/p>\n<p><u>EXHIBITIONS<br \/>\n<\/u>Kryptomania. Promises of the Blockchain | Barbara Unterthurner<br \/>\nJeff Wall | Daniel Blochwitz<br \/>\nCharlie Prodger. The Offering Formula | Margit Neuhold<br \/>\nGlitch. The Art of Interference | Caroline von Courten<br \/>\nExtensions of Self. An Exchange of Human and Artificial Intelligence | Christian H\u00f6ller<\/p>\n<p><u>DATES<br \/>\n<\/u>with Nadine Isabelle Henrich<\/p>\n<p><u>COLLECTOR&#8217;S EDITION<br \/>\n<\/u>Manon Lanjou\u00e8re: Les Particules. A Human Tale of Dying Water<\/p>\n<p><u>PUBLICATIONS<\/u><br \/>\nEvelyn Richter | Christina Natlacen<br \/>\nHanna Pahl: Theorie und \u00c4sthetik des Codes | Thomas Ballhausen<br \/>\nOskar B\u00e4tschmann: Das Kunstpublikum | Peter Kunitzky<br \/>\nPeter Geimer: Theorie der Fotografie V (1996-2022)[\/vc_column_text][vc_empty_space][vc_column_text uncode_shortcode_id=&#8221;170622&#8243;]<\/p>\n<p class=\"EIKONBody\"><strong><u>EDITORIAL<\/u><\/strong><\/p>\n<p class=\"EIKONBody\">Liebe Leserinnen und Leser!<br \/>\n&#8220;Mit \u201e20 Jahre SAMMLUNG VERBUND\u201c wird in dieser Fr\u00fchjahrsausgabe einer in mehrerer Hinsicht au\u00dfergew\u00f6hnlichen Firmensammlung Tribut gezollt, die neben Ankauf und Pr\u00e4sentation zumeist fotografischer Werke von Beginn an auch die Notwendigkeit der Erforschung ihrer (zuvor vom Kunstmarkt tendenziell wenig wahrgenommenen) Exponate mitdachte. In nunmehr zwei Dekaden wurden so nicht nur wesentliche Werke feministischer K\u00fcnstlerinnen der 1970er Jahre erworben (Birgit J\u00fcrgenssen, VALIE EXPORT, Francesca Woodman, Cindy Sherman u.v.m.), sondern auch Arbeiten, die sich allgemein dem Thema \u201eIdentit\u00e4t\u201c verschreiben (Nan Goldin, J\u00fcrgen Klauke, Lorna Simpson, Ulay, Gillian Wearing u.a.) oder mit der Erkundung von R\u00e4umen und Orten befassen (Francis Al\u00ffs, Louise Lawler, Gordon Matta-Clark, Ed Ruscha u.a.). Inzwischen beherbergt die Kollektion ca. 1000 Kunstwerke von knapp 200 K\u00fcnstler:innen und tourt durch internationale Institutionen, parallel dazu wurden insgesamt 15 meist mehrere hundert Seiten umfassende (Sammlungs-)Kataloge und Monografien publiziert, deren Autor:innen-Liste sich wie das Who\u2019s who der aktuellen Kunsttheorie liest.<br \/>\nEiner dieser Druckwerke soll 2025 in einer erweiterten dritten Auflage erscheinen und tr\u00e4gt den Titel \u201eFeministische Avantgarde\u201c. Herausgeberin des beeindruckenden Bands ist Gabriele Schor, die seit Beginn der Sammlungst\u00e4tigkeit des Stromerzeugers VERBUND f\u00fcr ebenjene unternehmenseigene Kollektion verantwortlich zeichnet. Vor allem mit der Einf\u00fchrung und Promotion des Begriffs \u201eFeministische Avantgarde\u201c ist es der Sammlung dank ihrer Gr\u00fcndungsdirektorin gelungen, nachhaltig zur Wahrnehmung und Wertsch\u00e4tzung von K\u00fcnstlerinnen seit den 1970er Jahren beizutragen und dadurch insbesondere auch \u00f6sterreichischen Positionen wie Renate Bertlmann oder Margot Pilz den Weg in die Kunstgeschichtsb\u00fccher zu ebnen.<br \/>\nAnl\u00e4sslich des Jubil\u00e4ums l\u00e4sst Gabriele Schor im Gespr\u00e4ch mit Nina Schedlmayer u.a. Einblicke in Ankaufsstrategie und wichtige konzeptuelle Entscheidungen zu (s. S. 48 ff.). Ab dem 29. Februar 2024 l\u00e4dt zudem eine Sonderschau in der Wiener Albertina zu einem Streifzug durch 20 Jahre dieser konzentrierten Sammlungst\u00e4tigkeit ein.&#8221;<br \/>\nNela Eggenberger | f\u00fcr EIKON | Februar 2024<\/p>\n<p>[\/vc_column_text][\/vc_column][vc_column column_width_percent=&#8221;100&#8243; gutter_size=&#8221;3&#8243; overlay_alpha=&#8221;50&#8243; shift_x=&#8221;0&#8243; shift_y=&#8221;0&#8243; shift_y_down=&#8221;0&#8243; z_index=&#8221;0&#8243; medium_visibility=&#8221;yes&#8221; medium_width=&#8221;0&#8243; mobile_visibility=&#8221;yes&#8221; mobile_width=&#8221;0&#8243; width=&#8221;1\/4&#8243; uncode_shortcode_id=&#8221;187838&#8243; el_class=&#8221;maxpx1400displaynone&#8221;][\/vc_column][vc_column column_width_percent=&#8221;100&#8243; gutter_size=&#8221;3&#8243; overlay_alpha=&#8221;50&#8243; shift_x=&#8221;0&#8243; shift_y=&#8221;0&#8243; shift_y_down=&#8221;0&#8243; z_index=&#8221;0&#8243; medium_visibility=&#8221;yes&#8221; medium_width=&#8221;0&#8243; mobile_visibility=&#8221;yes&#8221; mobile_width=&#8221;0&#8243; width=&#8221;1\/12&#8243; uncode_shortcode_id=&#8221;176000&#8243;][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>EIKON #125<br \/>\nOn the occasion of \u201c20 Years of the VERBUND COLLECTION,\u201d this first issue of the new year pays tribute to a corporate collection that is extraordinary in many respects: From the very beginning, in addition to the acquisition and presentation of mainly photographic works, it has taken into account the need to research its exhibits (which had previously enjoyed little recognition on the art market).<\/p>\n","protected":false},"author":4,"featured_media":177089,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[305],"tags":[434,435],"class_list":["post-176891","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-magazine","tag-434","tag-verbund-collection"],"_links":{"self":[{"href":"https:\/\/new.eikon.at\/en\/wp-json\/wp\/v2\/posts\/176891","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/new.eikon.at\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/new.eikon.at\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/new.eikon.at\/en\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/new.eikon.at\/en\/wp-json\/wp\/v2\/comments?post=176891"}],"version-history":[{"count":0,"href":"https:\/\/new.eikon.at\/en\/wp-json\/wp\/v2\/posts\/176891\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/new.eikon.at\/en\/wp-json\/wp\/v2\/media\/177089"}],"wp:attachment":[{"href":"https:\/\/new.eikon.at\/en\/wp-json\/wp\/v2\/media?parent=176891"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/new.eikon.at\/en\/wp-json\/wp\/v2\/categories?post=176891"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/new.eikon.at\/en\/wp-json\/wp\/v2\/tags?post=176891"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}