{"id":176638,"date":"2023-08-20T12:00:07","date_gmt":"2023-08-20T10:00:07","guid":{"rendered":"https:\/\/new.eikon.at\/?p=176638"},"modified":"2026-05-29T08:19:31","modified_gmt":"2026-05-29T06:19:31","slug":"showroom-23-3","status":"publish","type":"post","link":"https:\/\/new.eikon.at\/en\/showroom-23-3\/","title":{"rendered":"A Selective Glossary of Image Manipulation \u2013 THE LYING LENS"},"content":{"rendered":"
\"\"<\/a><\/div>

[vc_row row_height_percent=”0″ override_padding=”yes” h_padding=”2″ top_padding=”0″ bottom_padding=”0″ back_color=”color-xsdn” overlay_alpha=”50″ gutter_size=”3″ column_width_percent=”100″ no_h_border=”yes” no_h_border_tablet=”yes” no_h_border_mobile=”yes” shift_y=”0″ z_index=”0″ sticky=”yes” content_parallax=”0″ uncode_shortcode_id=”822296″ back_color_type=”uncode-palette”][vc_column column_width_percent=”100″ align_horizontal=”align_center” gutter_size=”0″ override_padding=”yes” column_padding=”0″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/1″ uncode_shortcode_id=”264804″][vc_custom_heading text_size=”custom” sticky_trigger=”yes” uncode_shortcode_id=”120473″ heading_custom_size=”clamp(2.75rem, 4vw + 0.75rem, 5rem)”][\/vc_custom_heading][\/vc_column][\/vc_row][vc_row unlock_row_content=”yes” row_height_percent=”0″ override_padding=”yes” h_padding=”5″ top_padding=”0″ bottom_padding=”2″ overlay_alpha=”50″ 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single_meta_custom_typo=”yes” single_meta_weight=”300″ single_border=”yes” uncode_shortcode_id=”126563″ gallery_back_color_type=”uncode-palette”][\/vc_column][vc_column column_width_percent=”100″ position_vertical=”middle” gutter_size=”1″ override_padding=”yes” column_padding=”2″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_visibility=”yes” medium_width=”0″ mobile_visibility=”yes” mobile_width=”0″ width=”5\/12″ uncode_shortcode_id=”521940″][vc_custom_heading text_color=”accent” heading_semantic=”div” text_size=”fontsize-161209″ text_weight=”400″ text_transform=”uppercase” text_height=”fontheight-684119″ text_space=”fontspace-210350″ uncode_shortcode_id=”921482″ text_color_type=”uncode-palette”]Showroom[\/vc_custom_heading][vc_custom_heading text_color=”accent” heading_semantic=”div” text_size=”fontsize-160000″ text_weight=”400″ text_transform=”uppercase” text_height=”fontheight-684119″ text_space=”fontspace-210350″ uncode_shortcode_id=”141281″ text_color_type=”uncode-palette”]02\/06\/\u201320\/08\/2023[\/vc_custom_heading][vc_empty_space empty_h=”2″ el_class=”maxpx1200displaynone”][vc_custom_heading heading_semantic=”h3″ text_size=”custom” uncode_shortcode_id=”967834″ heading_custom_size=”clamp(2.2rem, 1.6rem + 3vw, 4rem)”]A Selective Glossary of Image Manipulation \u2013 THE LYING LENS[\/vc_custom_heading][vc_empty_space empty_h=”3″ el_class=”maxpx1600displaynone”][vc_empty_space empty_h=”2″][\/vc_column][\/vc_row][vc_row unlock_row_content=”yes” row_height_percent=”0″ override_padding=”yes” h_padding=”5″ top_padding=”0″ bottom_padding=”2″ overlay_alpha=”50″ gutter_size=”4″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ desktop_visibility=”yes” content_parallax=”0″ uncode_shortcode_id=”153841″][vc_column column_width_percent=”100″ gutter_size=”2″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/1″][vc_custom_heading text_color=”accent” heading_semantic=”h1″ text_size=”fontsize-160000″ text_transform=”uppercase” text_height=”fontheight-357766″ text_space=”fontspace-210350″ uncode_shortcode_id=”214328″ text_color_type=”uncode-palette”]2026\/05[\/vc_custom_heading][vc_row_inner][vc_column_inner column_width_percent=”100″ gutter_size=”2″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”2\/3″][vc_custom_heading auto_text=”yes” heading_semantic=”h1″ text_size=”fontsize-106718″ separator=”yes” uncode_shortcode_id=”789392″]EIKON #132 |\u200b WHERE IS PHOTOGRAPHY NOW?<\/em>[\/vc_custom_heading][vc_empty_space empty_h=”1″ desktop_visibility=”yes”][\/vc_column_inner][vc_column_inner column_width_percent=”100″ gutter_size=”3″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_visibility=”yes” medium_width=”0″ mobile_visibility=”yes” mobile_width=”0″ width=”1\/3″ uncode_shortcode_id=”651671″ el_class=”maxpx1200displaynone”][\/vc_column_inner][\/vc_row_inner][vc_empty_space empty_h=”4″ medium_visibility=”yes” mobile_visibility=”yes”][\/vc_column][\/vc_row][vc_row unlock_row_content=”yes” row_height_percent=”0″ override_padding=”yes” h_padding=”5″ top_padding=”0″ bottom_padding=”7″ overlay_alpha=”50″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ content_parallax=”0″ uncode_shortcode_id=”122216″][vc_column width=”2\/3″][vc_column_text uncode_shortcode_id=”704391″]<\/p>\n

Since the invention of photography, we know about the diverse manipulation possibilities of the medium. The methods of image processing, for example, have since developed in parallel with advances in technology, from analog photo retouching in the darkroom to the digital diffuser of Photoshop. Due to new phenomena such as artificial intelligence, which is increasingly being used to generate images, questions about the authenticity of image content are more topical than ever.
The discussion about the veracity of the photographic image has actually become obsolete since the advent of postmodernism. With the end of the 1960s and the increasing \u201cincredulity toward metanarratives\u201d (Jean-Fran\u00e7ois Lyotard), it became clear that there is no reality per se, but only a wide range of truths that are not controlled by a central authority, but by the plurality of the many.
\nEine Ausstellung im Rahmen der FOTO WIEN 2023<\/a> in collaboration with the Academy of Fine Arts Vienna <\/a>(Department of Art and Photography, Head: Yair Martin Guttmann), the Friedl Kubelka School of Artistic Photography <\/a>(Head: Anja Manfredi) and the University of Applied Arts Vienna <\/a>(Institute of Fine and Media Arts \u2013 Photography, Head: Gabriele Rothemann)
\nTo mark FOTO WIEN 2023 and this year\u2019s festival theme, \u2018Photography Lies \/ The Lies of Photography\u2019, students from three leading photography schools in Vienna are creating new works that explore various aspects of this theme.
\nParallel to the exhibition, a festival catalog is published by Steidl Verlag with EIKON\u2019s (intentionally subjective) glossary on image manipulation, which complements the show.<\/p>\n

Works by: Jamile Azadfallah | Costanza Brandizzi | Dominik Buda | Josefine Ehs | Anastasiia Fashchevska | Eginhartz Kanter | Minjae Kim | Matthias K\u00f6ck | Katharina Liatskaia | Isabella Andrea Pacher | Ismael Picker-Schiebel | Valentin Sch\u00f6rghuber | Nicole Toferer | Peter Walde & Carlo Zappella | Lily Zlotover<\/p>\n

Vernissage 01.06.2023 | 18:00 | EIKON Showroom MuseumsQuartier Wien[\/vc_column_text][vc_empty_space][vc_empty_space][vc_gallery el_id=”gallery-203623″ type=”carousel” medias=”177333,177334,177335,177336″ gallery_back_color=”color-xsdn” carousel_lg=”3″ carousel_md=”3″ carousel_sm=”1″ gutter_size=”3″ media_items=”media|lightbox|original,caption” carousel_interval=”3000″ carousel_navspeed=”400″ carousel_loop=”yes” stage_padding=”0″ single_text=”under” single_overlay_opacity=”1″ single_overlay_visible=”yes” single_overlay_anim=”no” single_text_visible=”yes” single_text_anim=”no” single_image_anim=”no” single_v_position=”bottom” single_padding=”0″ single_text_reduced=”yes” single_meta_custom_typo=”yes” single_meta_weight=”300″ single_border=”yes” uncode_shortcode_id=”548274″ gallery_back_color_type=”uncode-palette”][vc_empty_space][vc_empty_space][\/vc_column][vc_column column_width_percent=”100″ gutter_size=”3″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_visibility=”yes” medium_width=”0″ mobile_visibility=”yes” mobile_width=”0″ width=”1\/4″ uncode_shortcode_id=”187838″ el_class=”maxpx1400displaynone”][\/vc_column][vc_column column_width_percent=”100″ gutter_size=”3″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_visibility=”yes” medium_width=”0″ mobile_visibility=”yes” mobile_width=”0″ width=”1\/12″ uncode_shortcode_id=”176000″][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

Since the invention of photography, we know about the diverse manipulation possibilities of the medium. The methods of image processing, for example, have since developed in parallel with advances in technology, from analog photo retouching in the darkroom to the digital diffuser of Photoshop.<\/p>\n","protected":false},"author":4,"featured_media":177332,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[302,307,332],"tags":[447,481,482],"class_list":["post-176638","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-exhibition","category-showroom","category-artist","tag-schauraum","tag-friedl-kubelka","tag-foto-wien"],"_links":{"self":[{"href":"https:\/\/new.eikon.at\/en\/wp-json\/wp\/v2\/posts\/176638","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/new.eikon.at\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/new.eikon.at\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/new.eikon.at\/en\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/new.eikon.at\/en\/wp-json\/wp\/v2\/comments?post=176638"}],"version-history":[{"count":0,"href":"https:\/\/new.eikon.at\/en\/wp-json\/wp\/v2\/posts\/176638\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/new.eikon.at\/en\/wp-json\/wp\/v2\/media\/177332"}],"wp:attachment":[{"href":"https:\/\/new.eikon.at\/en\/wp-json\/wp\/v2\/media?parent=176638"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/new.eikon.at\/en\/wp-json\/wp\/v2\/categories?post=176638"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/new.eikon.at\/en\/wp-json\/wp\/v2\/tags?post=176638"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}