{"id":176314,"date":"2025-12-20T12:00:34","date_gmt":"2025-12-20T11:00:34","guid":{"rendered":"https:\/\/new.eikon.at\/?p=176314"},"modified":"2026-05-13T16:40:20","modified_gmt":"2026-05-13T14:40:20","slug":"magazine-3-2-2-2-2","status":"publish","type":"post","link":"https:\/\/new.eikon.at\/en\/magazine-3-2-2-2-2\/","title":{"rendered":"Annegret Soltau"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><p>[vc_row row_height_percent=&#8221;0&#8243; override_padding=&#8221;yes&#8221; h_padding=&#8221;2&#8243; top_padding=&#8221;0&#8243; bottom_padding=&#8221;0&#8243; back_color=&#8221;color-xsdn&#8221; overlay_alpha=&#8221;50&#8243; gutter_size=&#8221;3&#8243; column_width_percent=&#8221;100&#8243; no_h_border=&#8221;yes&#8221; no_h_border_tablet=&#8221;yes&#8221; no_h_border_mobile=&#8221;yes&#8221; shift_y=&#8221;0&#8243; z_index=&#8221;0&#8243; sticky=&#8221;yes&#8221; content_parallax=&#8221;0&#8243; uncode_shortcode_id=&#8221;822296&#8243; back_color_type=&#8221;uncode-palette&#8221;][vc_column column_width_percent=&#8221;100&#8243; 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single_overlay_color=&#8221;color-jevc&#8221; single_overlay_opacity=&#8221;1&#8243; single_overlay_visible=&#8221;yes&#8221; single_overlay_anim=&#8221;no&#8221; single_text_visible=&#8221;yes&#8221; single_text_anim=&#8221;no&#8221; single_image_anim=&#8221;no&#8221; single_v_position=&#8221;bottom&#8221; single_padding=&#8221;0&#8243; single_text_reduced=&#8221;yes&#8221; single_meta_custom_typo=&#8221;yes&#8221; single_meta_weight=&#8221;300&#8243; single_border=&#8221;yes&#8221; lbox_caption=&#8221;yes&#8221; uncode_shortcode_id=&#8221;278967&#8243; gallery_back_color_type=&#8221;uncode-palette&#8221;][\/vc_column][vc_column column_width_percent=&#8221;100&#8243; position_vertical=&#8221;middle&#8221; gutter_size=&#8221;1&#8243; override_padding=&#8221;yes&#8221; column_padding=&#8221;2&#8243; overlay_alpha=&#8221;50&#8243; shift_x=&#8221;0&#8243; shift_y=&#8221;0&#8243; shift_y_down=&#8221;0&#8243; z_index=&#8221;0&#8243; medium_visibility=&#8221;yes&#8221; medium_width=&#8221;0&#8243; mobile_visibility=&#8221;yes&#8221; mobile_width=&#8221;0&#8243; width=&#8221;5\/12&#8243; uncode_shortcode_id=&#8221;521940&#8243;][vc_custom_heading text_color=&#8221;accent&#8221; heading_semantic=&#8221;div&#8221; text_size=&#8221;fontsize-161209&#8243; text_weight=&#8221;400&#8243; text_transform=&#8221;uppercase&#8221; text_height=&#8221;fontheight-684119&#8243; text_space=&#8221;fontspace-210350&#8243; uncode_shortcode_id=&#8221;113279&#8243; text_color_type=&#8221;uncode-palette&#8221;]MAGAZINE #130\u2013131[\/vc_custom_heading][vc_custom_heading text_color=&#8221;accent&#8221; heading_semantic=&#8221;div&#8221; text_size=&#8221;fontsize-160000&#8243; text_weight=&#8221;400&#8243; text_transform=&#8221;uppercase&#8221; text_height=&#8221;fontheight-684119&#8243; text_space=&#8221;fontspace-210350&#8243; uncode_shortcode_id=&#8221;145433&#8243; text_color_type=&#8221;uncode-palette&#8221;]2025\/12[\/vc_custom_heading][vc_empty_space empty_h=&#8221;2&#8243; el_class=&#8221;maxpx1200displaynone&#8221;][vc_custom_heading heading_semantic=&#8221;h3&#8243; text_size=&#8221;custom&#8221; text_height=&#8221;fontheight-357766&#8243; uncode_shortcode_id=&#8221;152721&#8243; heading_custom_size=&#8221;clamp(1.3rem, 1rem + 1.4vw, 2.2rem)&#8221;]Freddy Langer[\/vc_custom_heading][vc_custom_heading heading_semantic=&#8221;h3&#8243; text_size=&#8221;custom&#8221; uncode_shortcode_id=&#8221;201810&#8243; heading_custom_size=&#8221;clamp(2.2rem, 1.6rem + 3vw, 4rem)&#8221;]ANNEGRET SOLTAU[\/vc_custom_heading][vc_empty_space empty_h=&#8221;3&#8243; el_class=&#8221;maxpx1600displaynone&#8221;][vc_empty_space empty_h=&#8221;2&#8243;][\/vc_column][\/vc_row][vc_row unlock_row_content=&#8221;yes&#8221; row_height_percent=&#8221;0&#8243; override_padding=&#8221;yes&#8221; h_padding=&#8221;5&#8243; top_padding=&#8221;0&#8243; bottom_padding=&#8221;2&#8243; overlay_alpha=&#8221;50&#8243; gutter_size=&#8221;4&#8243; column_width_percent=&#8221;100&#8243; shift_y=&#8221;0&#8243; z_index=&#8221;0&#8243; desktop_visibility=&#8221;yes&#8221; content_parallax=&#8221;0&#8243; 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text_size=&#8221;fontsize-106718&#8243; separator=&#8221;yes&#8221; uncode_shortcode_id=&#8221;208472&#8243;]EIKON #132 |\u200b <em>WHERE IS PHOTOGRAPHY NOW?<\/em>[\/vc_custom_heading][vc_empty_space empty_h=&#8221;1&#8243; desktop_visibility=&#8221;yes&#8221;][\/vc_column_inner][vc_column_inner column_width_percent=&#8221;100&#8243; gutter_size=&#8221;3&#8243; overlay_alpha=&#8221;50&#8243; shift_x=&#8221;0&#8243; shift_y=&#8221;0&#8243; shift_y_down=&#8221;0&#8243; z_index=&#8221;0&#8243; medium_visibility=&#8221;yes&#8221; medium_width=&#8221;0&#8243; mobile_visibility=&#8221;yes&#8221; mobile_width=&#8221;0&#8243; width=&#8221;1\/3&#8243; uncode_shortcode_id=&#8221;651671&#8243; el_class=&#8221;maxpx1200displaynone&#8221;][\/vc_column_inner][\/vc_row_inner][vc_empty_space empty_h=&#8221;4&#8243; medium_visibility=&#8221;yes&#8221; mobile_visibility=&#8221;yes&#8221;][\/vc_column][\/vc_row][vc_row unlock_row_content=&#8221;yes&#8221; row_height_percent=&#8221;0&#8243; override_padding=&#8221;yes&#8221; h_padding=&#8221;5&#8243; top_padding=&#8221;0&#8243; bottom_padding=&#8221;7&#8243; overlay_alpha=&#8221;50&#8243; gutter_size=&#8221;3&#8243; column_width_percent=&#8221;100&#8243; shift_y=&#8221;0&#8243; z_index=&#8221;0&#8243; content_parallax=&#8221;0&#8243; uncode_shortcode_id=&#8221;122216&#8243;][vc_column width=&#8221;2\/3&#8243;][vc_column_text uncode_shortcode_id=&#8221;888156&#8243;]<strong>Evidence of existence. Visit to the studio. <\/strong>[\/vc_column_text][vc_column_text uncode_shortcode_id=&#8221;388941&#8243;]Annegret Soltau macht es ihrem Publikum selten leicht. Noch immer ist man beeindruckt von Werken mit bezeichnenden Titeln wie \u201eK\u00f6rper\u00f6ffnung&#8221;, angesichts von Abbildungen von Geschlechtsteilen, die an Stellen auftauchen, an die sie nicht geh\u00f6ren oder angesichts von K\u00f6rpern, eng verschn\u00fcrt oder eingewoben wie von Spinnennetzen, aber nicht aus Lust wie in den japanischen Fesselpraktiken des Bondage, sondern als Metaphern f\u00fcr ein Gef\u00fchl der Unfreiheit.[\/vc_column_text][vc_column_text uncode_shortcode_id=&#8221;104521&#8243;]\u2192 <a href=\"https:\/\/new.eikon.at\/en\/magazine-2\/\">in EIKON #130-131<\/a><br \/>\n<strong>Sprachen<\/strong> | Deutsch \/ Englisch<br \/>\n<strong>Format<\/strong> | 280 x 210 mm<br \/>\n<strong>ISBN<\/strong> | 978-3-904083-24-9<br \/>\n104 Seiten<br \/>\n<strong>Preis:<\/strong> \u20ac 18,00 (inkl. 10% USt)[\/vc_column_text][vc_empty_space][vc_column_text uncode_shortcode_id=&#8221;591212&#8243;]<\/p>\n<blockquote><p>The honesty with which Annegret Soltau describes her life and analyses her work is disarming.<br \/><small>Freddy Langer<\/small><\/p><\/blockquote>\n<p>[\/vc_column_text][vc_empty_space][vc_gallery el_id=&#8221;gallery-203623&#8243; type=&#8221;carousel&#8221; medias=&#8221;177684,177008,177685,177686&#8243; gallery_back_color=&#8221;color-xsdn&#8221; carousel_lg=&#8221;3&#8243; carousel_md=&#8221;3&#8243; carousel_sm=&#8221;1&#8243; gutter_size=&#8221;3&#8243; media_items=&#8221;media|lightbox|original,caption&#8221; carousel_interval=&#8221;3000&#8243; carousel_navspeed=&#8221;400&#8243; carousel_loop=&#8221;yes&#8221; stage_padding=&#8221;0&#8243; single_text=&#8221;under&#8221; single_overlay_opacity=&#8221;1&#8243; single_overlay_visible=&#8221;yes&#8221; single_overlay_anim=&#8221;no&#8221; single_text_visible=&#8221;yes&#8221; single_text_anim=&#8221;no&#8221; single_image_anim=&#8221;no&#8221; single_v_position=&#8221;bottom&#8221; single_padding=&#8221;0&#8243; single_text_reduced=&#8221;yes&#8221; single_meta_custom_typo=&#8221;yes&#8221; single_meta_weight=&#8221;300&#8243; single_border=&#8221;yes&#8221; lbox_caption=&#8221;yes&#8221; uncode_shortcode_id=&#8221;674813&#8243; gallery_back_color_type=&#8221;uncode-palette&#8221;][vc_empty_space][vc_empty_space][\/vc_column][vc_column column_width_percent=&#8221;100&#8243; gutter_size=&#8221;3&#8243; overlay_alpha=&#8221;50&#8243; shift_x=&#8221;0&#8243; shift_y=&#8221;0&#8243; shift_y_down=&#8221;0&#8243; z_index=&#8221;0&#8243; medium_visibility=&#8221;yes&#8221; medium_width=&#8221;0&#8243; mobile_visibility=&#8221;yes&#8221; mobile_width=&#8221;0&#8243; width=&#8221;1\/4&#8243; uncode_shortcode_id=&#8221;187838&#8243; el_class=&#8221;maxpx1400displaynone&#8221;][\/vc_column][vc_column column_width_percent=&#8221;100&#8243; gutter_size=&#8221;3&#8243; overlay_alpha=&#8221;50&#8243; shift_x=&#8221;0&#8243; shift_y=&#8221;0&#8243; shift_y_down=&#8221;0&#8243; z_index=&#8221;0&#8243; medium_visibility=&#8221;yes&#8221; medium_width=&#8221;0&#8243; mobile_visibility=&#8221;yes&#8221; mobile_width=&#8221;0&#8243; width=&#8221;1\/12&#8243; uncode_shortcode_id=&#8221;176000&#8243;][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>Annegret Soltau rarely makes things easy for her audience. One is still struck by works with evocative titles such as \u201cBody orifice\u201d, when confronted with images of genitals appearing in places where they do not belong, or with bodies tightly bound or woven as if in spider\u2019s webs \u2013 not for pleasure, as in the Japanese bondage practices, but as metaphors for a sense of lack of freedom. <\/p>\n","protected":false},"author":4,"featured_media":176388,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[318,332],"tags":[516,518,309],"class_list":["post-176314","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-portfolio","category-artist","tag-freddy-langer","tag-annegret-soltau","tag-130-131"],"_links":{"self":[{"href":"https:\/\/new.eikon.at\/en\/wp-json\/wp\/v2\/posts\/176314","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/new.eikon.at\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/new.eikon.at\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/new.eikon.at\/en\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/new.eikon.at\/en\/wp-json\/wp\/v2\/comments?post=176314"}],"version-history":[{"count":0,"href":"https:\/\/new.eikon.at\/en\/wp-json\/wp\/v2\/posts\/176314\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/new.eikon.at\/en\/wp-json\/wp\/v2\/media\/176388"}],"wp:attachment":[{"href":"https:\/\/new.eikon.at\/en\/wp-json\/wp\/v2\/media?parent=176314"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/new.eikon.at\/en\/wp-json\/wp\/v2\/categories?post=176314"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/new.eikon.at\/en\/wp-json\/wp\/v2\/tags?post=176314"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}