{"id":176281,"date":"2026-04-27T11:56:06","date_gmt":"2026-04-27T09:56:06","guid":{"rendered":"https:\/\/new.eikon.at\/?p=176281"},"modified":"2026-05-08T11:04:56","modified_gmt":"2026-05-08T09:04:56","slug":"magazine-3-2-3","status":"publish","type":"post","link":"https:\/\/new.eikon.at\/en\/magazine-3-2-3\/","title":{"rendered":"AMID WORLDS"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><p>[vc_row row_height_percent=&#8221;0&#8243; override_padding=&#8221;yes&#8221; h_padding=&#8221;2&#8243; top_padding=&#8221;0&#8243; bottom_padding=&#8221;0&#8243; back_color=&#8221;color-xsdn&#8221; overlay_alpha=&#8221;50&#8243; gutter_size=&#8221;3&#8243; column_width_percent=&#8221;100&#8243; no_h_border=&#8221;yes&#8221; no_h_border_tablet=&#8221;yes&#8221; no_h_border_mobile=&#8221;yes&#8221; shift_y=&#8221;0&#8243; z_index=&#8221;0&#8243; sticky=&#8221;yes&#8221; content_parallax=&#8221;0&#8243; uncode_shortcode_id=&#8221;822296&#8243; back_color_type=&#8221;uncode-palette&#8221;][vc_column column_width_percent=&#8221;100&#8243; 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single_overlay_color=&#8221;color-jevc&#8221; single_overlay_opacity=&#8221;1&#8243; single_overlay_visible=&#8221;yes&#8221; single_overlay_anim=&#8221;no&#8221; single_text_visible=&#8221;yes&#8221; single_text_anim=&#8221;no&#8221; single_image_anim=&#8221;no&#8221; single_v_position=&#8221;bottom&#8221; single_padding=&#8221;0&#8243; single_text_reduced=&#8221;yes&#8221; single_meta_custom_typo=&#8221;yes&#8221; single_meta_weight=&#8221;300&#8243; single_border=&#8221;yes&#8221; lbox_caption=&#8221;yes&#8221; uncode_shortcode_id=&#8221;191389&#8243; gallery_back_color_type=&#8221;uncode-palette&#8221;][\/vc_column][vc_column column_width_percent=&#8221;100&#8243; position_vertical=&#8221;middle&#8221; gutter_size=&#8221;1&#8243; override_padding=&#8221;yes&#8221; column_padding=&#8221;2&#8243; overlay_alpha=&#8221;50&#8243; shift_x=&#8221;0&#8243; shift_y=&#8221;0&#8243; shift_y_down=&#8221;0&#8243; z_index=&#8221;0&#8243; medium_visibility=&#8221;yes&#8221; medium_width=&#8221;0&#8243; mobile_visibility=&#8221;yes&#8221; mobile_width=&#8221;0&#8243; width=&#8221;5\/12&#8243; uncode_shortcode_id=&#8221;521940&#8243;][vc_custom_heading text_color=&#8221;accent&#8221; heading_semantic=&#8221;div&#8221; text_size=&#8221;fontsize-161209&#8243; text_weight=&#8221;400&#8243; text_transform=&#8221;uppercase&#8221; text_height=&#8221;fontheight-684119&#8243; text_space=&#8221;fontspace-210350&#8243; uncode_shortcode_id=&#8221;129551&#8243; text_color_type=&#8221;uncode-palette&#8221;]MAGAZINE #132[\/vc_custom_heading][vc_custom_heading text_color=&#8221;accent&#8221; heading_semantic=&#8221;div&#8221; text_size=&#8221;fontsize-160000&#8243; text_weight=&#8221;400&#8243; text_transform=&#8221;uppercase&#8221; text_height=&#8221;fontheight-684119&#8243; text_space=&#8221;fontspace-210350&#8243; uncode_shortcode_id=&#8221;532125&#8243; text_color_type=&#8221;uncode-palette&#8221;]2026\/05[\/vc_custom_heading][vc_empty_space empty_h=&#8221;2&#8243; el_class=&#8221;maxpx1200displaynone&#8221;][vc_custom_heading heading_semantic=&#8221;h3&#8243; text_size=&#8221;custom&#8221; text_height=&#8221;fontheight-357766&#8243; uncode_shortcode_id=&#8221;517168&#8243; heading_custom_size=&#8221;clamp(1.3rem, 1rem + 1.4vw, 2.2rem)&#8221;]Anna Schober-de Graaf[\/vc_custom_heading][vc_custom_heading heading_semantic=&#8221;h3&#8243; text_size=&#8221;custom&#8221; uncode_shortcode_id=&#8221;555651&#8243; heading_custom_size=&#8221;clamp(2.2rem, 1.6rem + 3vw, 4rem)&#8221;]ZWISCHEN WELTEN[\/vc_custom_heading][vc_empty_space empty_h=&#8221;3&#8243; el_class=&#8221;maxpx1600displaynone&#8221;][vc_empty_space empty_h=&#8221;2&#8243;][\/vc_column][\/vc_row][vc_row unlock_row_content=&#8221;yes&#8221; row_height_percent=&#8221;0&#8243; override_padding=&#8221;yes&#8221; h_padding=&#8221;5&#8243; top_padding=&#8221;0&#8243; bottom_padding=&#8221;2&#8243; overlay_alpha=&#8221;50&#8243; gutter_size=&#8221;4&#8243; column_width_percent=&#8221;100&#8243; shift_y=&#8221;0&#8243; z_index=&#8221;0&#8243; desktop_visibility=&#8221;yes&#8221; content_parallax=&#8221;0&#8243; 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text_size=&#8221;fontsize-106718&#8243; separator=&#8221;yes&#8221; uncode_shortcode_id=&#8221;208472&#8243;]EIKON #132 |\u200b <em>WHERE IS PHOTOGRAPHY NOW?<\/em>[\/vc_custom_heading][vc_empty_space empty_h=&#8221;1&#8243; desktop_visibility=&#8221;yes&#8221;][\/vc_column_inner][vc_column_inner column_width_percent=&#8221;100&#8243; gutter_size=&#8221;3&#8243; overlay_alpha=&#8221;50&#8243; shift_x=&#8221;0&#8243; shift_y=&#8221;0&#8243; shift_y_down=&#8221;0&#8243; z_index=&#8221;0&#8243; medium_visibility=&#8221;yes&#8221; medium_width=&#8221;0&#8243; mobile_visibility=&#8221;yes&#8221; mobile_width=&#8221;0&#8243; width=&#8221;1\/3&#8243; uncode_shortcode_id=&#8221;651671&#8243; el_class=&#8221;maxpx1200displaynone&#8221;][\/vc_column_inner][\/vc_row_inner][vc_empty_space empty_h=&#8221;4&#8243; medium_visibility=&#8221;yes&#8221; mobile_visibility=&#8221;yes&#8221;][\/vc_column][\/vc_row][vc_row unlock_row_content=&#8221;yes&#8221; row_height_percent=&#8221;0&#8243; override_padding=&#8221;yes&#8221; h_padding=&#8221;5&#8243; top_padding=&#8221;0&#8243; bottom_padding=&#8221;7&#8243; overlay_alpha=&#8221;50&#8243; gutter_size=&#8221;3&#8243; column_width_percent=&#8221;100&#8243; shift_y=&#8221;0&#8243; z_index=&#8221;0&#8243; content_parallax=&#8221;0&#8243; uncode_shortcode_id=&#8221;122216&#8243;][vc_column width=&#8221;2\/3&#8243;][vc_column_text uncode_shortcode_id=&#8221;164387&#8243;]<strong>Intimate Experience, Dream Worlds and Popular Image Practices at the Threshold between Documentary Photography and AI-Generated Images<\/strong><\/p>\n<p>Artists: Fabio Bucciarelli | Maurice Blackburn Lawyers[\/vc_column_text][vc_column_text uncode_shortcode_id=&#8221;428308&#8243;]<span class=\"TextRun SCXW217622919 BCX4\" lang=\"DE-DE\" data-contrast=\"auto\" xml:lang=\"DE-DE\"><span class=\"NormalTextRun SCXW217622919 BCX4\">Anna Schober-de Graaf explores the potential of AI-generated photography, a potential that has been overshadowed by fears of manipulation in visual representations.<br \/>\nWhere documentary photography reaches its limits, personal experiences of violence can be visualised through AI-generated images. In this way, Maurice Blackburn Lawyers adds a visual dimension to the personal stories of their clients.  <\/span><\/span>[\/vc_column_text][vc_column_text uncode_shortcode_id=&#8221;186478&#8243;]in EIKON #132<br \/>\n<strong>Language<\/strong> | German \/ English<br \/>\n<strong>Size<\/strong> | 280 x 210 mm<br \/>\n<strong>ISBN<\/strong> | 978-3-904083-26-3<br \/>\n104 Pages<br \/>\n<strong>Prize:<\/strong> \u20ac 18,00 (inkl. 10% USt)[\/vc_column_text][vc_empty_space][vc_column_text uncode_shortcode_id=&#8221;464889&#8243;]<\/p>\n<blockquote><p>Where does photography stand today? In one sense, it remains where it has always been: photography still concerns itself with seeing visible phenomena \u2013 things, bodies, events, and activities \u2013 in new and different ways.<br \/>\n<small>Anna Schober-de Graaf<\/small><\/p><\/blockquote>\n<p>[\/vc_column_text][vc_empty_space][vc_gallery el_id=&#8221;gallery-203623&#8243; type=&#8221;carousel&#8221; medias=&#8221;177130,177131,177132,176366&#8243; gallery_back_color=&#8221;color-xsdn&#8221; carousel_lg=&#8221;3&#8243; carousel_md=&#8221;3&#8243; carousel_sm=&#8221;1&#8243; gutter_size=&#8221;3&#8243; media_items=&#8221;media|lightbox|original,caption&#8221; carousel_interval=&#8221;3000&#8243; carousel_navspeed=&#8221;400&#8243; carousel_loop=&#8221;yes&#8221; stage_padding=&#8221;0&#8243; single_text=&#8221;under&#8221; single_overlay_opacity=&#8221;1&#8243; single_overlay_visible=&#8221;yes&#8221; single_overlay_anim=&#8221;no&#8221; single_text_visible=&#8221;yes&#8221; single_text_anim=&#8221;no&#8221; single_image_anim=&#8221;no&#8221; single_v_position=&#8221;bottom&#8221; single_padding=&#8221;0&#8243; single_text_reduced=&#8221;yes&#8221; single_meta_custom_typo=&#8221;yes&#8221; single_meta_weight=&#8221;300&#8243; single_border=&#8221;yes&#8221; lbox_caption=&#8221;yes&#8221; uncode_shortcode_id=&#8221;133928&#8243; gallery_back_color_type=&#8221;uncode-palette&#8221;][vc_empty_space][vc_empty_space][vc_column_text text_lead=&#8221;small&#8221; uncode_shortcode_id=&#8221;113330&#8243;]<\/p>\n<blockquote><p>At the same time, however, we currently find ourselves at an epochal threshold where a new technology, in the form of AI-supported machine learning programs, is becoming widespread \u2013 programs that also generate images based on the conventions of documentary photography. <br \/><small>Anna Schober-de Graaf<\/small><\/p><\/blockquote>\n<p>[\/vc_column_text][\/vc_column][vc_column column_width_percent=&#8221;100&#8243; gutter_size=&#8221;3&#8243; overlay_alpha=&#8221;50&#8243; shift_x=&#8221;0&#8243; shift_y=&#8221;0&#8243; shift_y_down=&#8221;0&#8243; z_index=&#8221;0&#8243; medium_visibility=&#8221;yes&#8221; medium_width=&#8221;0&#8243; mobile_visibility=&#8221;yes&#8221; mobile_width=&#8221;0&#8243; width=&#8221;1\/4&#8243; uncode_shortcode_id=&#8221;187838&#8243; el_class=&#8221;maxpx1400displaynone&#8221;][\/vc_column][vc_column column_width_percent=&#8221;100&#8243; gutter_size=&#8221;3&#8243; overlay_alpha=&#8221;50&#8243; shift_x=&#8221;0&#8243; shift_y=&#8221;0&#8243; shift_y_down=&#8221;0&#8243; z_index=&#8221;0&#8243; medium_visibility=&#8221;yes&#8221; medium_width=&#8221;0&#8243; mobile_visibility=&#8221;yes&#8221; mobile_width=&#8221;0&#8243; width=&#8221;1\/12&#8243; uncode_shortcode_id=&#8221;176000&#8243;][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>Anna Schober-de Graaf explores the repressed potential of AI-generated photography, which is overshadowed by a fear of manipulation in visual representations.<\/p>\n","protected":false},"author":4,"featured_media":176373,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[439,303,332],"tags":[424,440,441,442,443],"class_list":["post-176281","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-article","category-author","category-artist","tag-424","tag-anna-schober-de-graaf","tag-fabio-bucciarelli","tag-maurice-blackburn","tag-exhibit-a-i"],"_links":{"self":[{"href":"https:\/\/new.eikon.at\/en\/wp-json\/wp\/v2\/posts\/176281","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/new.eikon.at\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/new.eikon.at\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/new.eikon.at\/en\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/new.eikon.at\/en\/wp-json\/wp\/v2\/comments?post=176281"}],"version-history":[{"count":0,"href":"https:\/\/new.eikon.at\/en\/wp-json\/wp\/v2\/posts\/176281\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/new.eikon.at\/en\/wp-json\/wp\/v2\/media\/176373"}],"wp:attachment":[{"href":"https:\/\/new.eikon.at\/en\/wp-json\/wp\/v2\/media?parent=176281"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/new.eikon.at\/en\/wp-json\/wp\/v2\/categories?post=176281"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/new.eikon.at\/en\/wp-json\/wp\/v2\/tags?post=176281"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}