{"id":176281,"date":"2026-05-01T11:56:06","date_gmt":"2026-05-01T09:56:06","guid":{"rendered":"https:\/\/new.eikon.at\/?p=176281"},"modified":"2026-07-06T15:46:34","modified_gmt":"2026-07-06T13:46:34","slug":"magazine-3-2-3","status":"publish","type":"post","link":"https:\/\/new.eikon.at\/en\/magazine-3-2-3\/","title":{"rendered":"AMID WORLDS"},"content":{"rendered":"
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[vc_row row_height_percent=”0″ override_padding=”yes” h_padding=”2″ top_padding=”0″ bottom_padding=”0″ back_color=”color-xsdn” overlay_alpha=”50″ gutter_size=”3″ column_width_percent=”100″ no_h_border=”yes” no_h_border_tablet=”yes” no_h_border_mobile=”yes” shift_y=”0″ z_index=”0″ sticky=”yes” content_parallax=”0″ uncode_shortcode_id=”822296″ back_color_type=”uncode-palette”][vc_column column_width_percent=”100″ align_horizontal=”align_center” gutter_size=”0″ override_padding=”yes” column_padding=”0″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/1″ uncode_shortcode_id=”264804″][vc_custom_heading text_size=”custom” sticky_trigger=”yes” uncode_shortcode_id=”120473″ heading_custom_size=”clamp(2.75rem, 4vw + 0.75rem, 5rem)”][\/vc_custom_heading][\/vc_column][\/vc_row][vc_row unlock_row_content=”yes” row_height_percent=”0″ override_padding=”yes” h_padding=”5″ top_padding=”0″ bottom_padding=”2″ overlay_alpha=”50″ gutter_size=”6″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ content_parallax=”0″ uncode_shortcode_id=”130871″][vc_column column_width_percent=”100″ position_horizontal=”left” gutter_size=”3″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”7\/12″ uncode_shortcode_id=”658435″][vc_gallery el_id=”gallery-123448″ type=”carousel” medias=”176373″ gallery_back_color=”color-xsdn” carousel_lg=”1″ carousel_md=”1″ carousel_sm=”1″ gutter_size=”3″ media_items=”media|lightbox|original,caption” carousel_type=”fade” carousel_interval=”10000″ carousel_hover=”yes” carousel_navspeed=”1000″ carousel_loop=”yes” carousel_dot_position=”left” stage_padding=”0″ single_style=”dark” single_overlay_color=”color-jevc” single_overlay_opacity=”1″ single_overlay_visible=”yes” single_overlay_anim=”no” single_text_visible=”yes” single_text_anim=”no” single_image_anim=”no” single_v_position=”bottom” single_padding=”0″ single_text_reduced=”yes” single_meta_custom_typo=”yes” single_meta_weight=”300″ single_border=”yes” lbox_caption=”yes” uncode_shortcode_id=”191389″ gallery_back_color_type=”uncode-palette”][\/vc_column][vc_column column_width_percent=”100″ position_vertical=”middle” gutter_size=”1″ override_padding=”yes” column_padding=”2″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_visibility=”yes” medium_width=”0″ mobile_visibility=”yes” mobile_width=”0″ width=”5\/12″ uncode_shortcode_id=”521940″][vc_custom_heading text_color=”accent” heading_semantic=”div” text_size=”fontsize-161209″ text_weight=”400″ text_transform=”uppercase” text_height=”fontheight-684119″ text_space=”fontspace-210350″ medium_visibility=”yes” mobile_visibility=”yes” uncode_shortcode_id=”128901″ text_color_type=”uncode-palette”]MAGAZINE #132[\/vc_custom_heading][vc_custom_heading text_color=”accent” heading_semantic=”div” text_size=”fontsize-160000″ text_weight=”400″ text_transform=”uppercase” text_height=”fontheight-684119″ text_space=”fontspace-210350″ medium_visibility=”yes” mobile_visibility=”yes” uncode_shortcode_id=”126381″ text_color_type=”uncode-palette”]2026\/05[\/vc_custom_heading][vc_custom_heading heading_semantic=”h3″ text_size=”custom” text_height=”fontheight-357766″ medium_visibility=”yes” mobile_visibility=”yes” uncode_shortcode_id=”212621″ heading_custom_size=”clamp(1.3rem, 1rem + 1.4vw, 2.2rem)”]Anna Schober-de Graaf[\/vc_custom_heading][vc_custom_heading heading_semantic=”h3″ text_size=”custom” medium_visibility=”yes” mobile_visibility=”yes” uncode_shortcode_id=”166019″ heading_custom_size=”clamp(2.2rem, 1.6rem + 3vw, 4rem)”]AMID WORLDS[\/vc_custom_heading][vc_empty_space empty_h=”2″ medium_visibility=”yes” mobile_visibility=”yes”][\/vc_column][\/vc_row][vc_row unlock_row_content=”yes” row_height_percent=”0″ override_padding=”yes” h_padding=”5″ top_padding=”0″ bottom_padding=”2″ overlay_alpha=”50″ gutter_size=”4″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ desktop_visibility=”yes” content_parallax=”0″ uncode_shortcode_id=”153841″][vc_column column_width_percent=”100″ gutter_size=”2″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/1″][vc_custom_heading text_color=”accent” heading_semantic=”h1″ text_size=”fontsize-160000″ text_transform=”uppercase” text_height=”fontheight-357766″ text_space=”fontspace-210350″ desktop_visibility=”yes” uncode_shortcode_id=”353336″ text_color_type=”uncode-palette”]2026\/05[\/vc_custom_heading][vc_custom_heading text_color=”accent” heading_semantic=”div” text_size=”fontsize-161209″ text_weight=”400″ text_transform=”uppercase” text_height=”fontheight-684119″ text_space=”fontspace-210350″ uncode_shortcode_id=”196482″ text_color_type=”uncode-palette”]MAGAZINE #132[\/vc_custom_heading][vc_custom_heading auto_text=”yes” heading_semantic=”h1″ separator=”yes” uncode_shortcode_id=”119542″]EIKON #132 |\u200b WHERE IS PHOTOGRAPHY NOW?<\/em>[\/vc_custom_heading][vc_custom_heading heading_semantic=”div” text_size=”fontsize-160000″ text_height=”fontheight-357766″ desktop_visibility=”yes” uncode_shortcode_id=”140175″]Anna Schober-de Graaf[\/vc_custom_heading][\/vc_column][\/vc_row][vc_row unlock_row_content=”yes” row_height_percent=”0″ override_padding=”yes” h_padding=”5″ top_padding=”0″ bottom_padding=”7″ overlay_alpha=”50″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ content_parallax=”0″ uncode_shortcode_id=”122216″][vc_column width=”2\/3″][vc_column_text uncode_shortcode_id=”164387″]Intimate Experience, Dream Worlds and Popular Image Practices at the Threshold between Documentary Photography and AI-Generated Images<\/strong><\/p>\n

Artists: Fabio Bucciarelli | Maurice Blackburn Lawyers[\/vc_column_text][vc_column_text uncode_shortcode_id=”428308″]Anna Schober-de Graaf explores the potential of AI-generated photography, a potential that has been overshadowed by fears of manipulation in visual representations.
\nWhere documentary photography reaches its limits, personal experiences of violence can be visualised through AI-generated images. In this way, Maurice Blackburn Lawyers adds a visual dimension to the personal stories of their clients. <\/span><\/span>[\/vc_column_text][vc_column_text uncode_shortcode_id=”114859″]\u2192 in EIKON #132<\/a>
\nLanguage<\/strong> | German \/ English
\nSize | 280 x 210 mm
\nISBN<\/strong> | 978-3-904083-26-3
\n104 Pages
\nPrice:<\/strong> \u20ac 18,00 (inkl. 10% USt)[\/vc_column_text][vc_empty_space][vc_column_text uncode_shortcode_id=”464889″]<\/p>\n

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Where does photography stand today? In one sense, it remains where it has always been: photography still concerns itself with seeing visible phenomena \u2013 things, bodies, events, and activities \u2013 in new and different ways.
\nAnna Schober-de Graaf<\/small><\/p><\/blockquote>\n

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At the same time, however, we currently find ourselves at an epochal threshold where a new technology, in the form of AI-supported machine learning programs, is becoming widespread \u2013 programs that also generate images based on the conventions of documentary photography.
Anna Schober-de Graaf<\/small><\/p><\/blockquote>\n

[\/vc_column_text][\/vc_column][vc_column column_width_percent=”100″ gutter_size=”3″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_visibility=”yes” medium_width=”0″ mobile_visibility=”yes” mobile_width=”0″ width=”1\/4″ uncode_shortcode_id=”187838″ el_class=”maxpx1400displaynone”][\/vc_column][vc_column column_width_percent=”100″ gutter_size=”3″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_visibility=”yes” medium_width=”0″ mobile_visibility=”yes” mobile_width=”0″ width=”1\/12″ uncode_shortcode_id=”176000″][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

Anna Schober-de Graaf explores the repressed potential of AI-generated photography, which is overshadowed by a fear of manipulation in visual representations.<\/p>\n","protected":false},"author":4,"featured_media":176373,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[439,332,303],"tags":[424,440,441,442,443],"class_list":["post-176281","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-article","category-artist","category-author","tag-424","tag-anna-schober-de-graaf","tag-fabio-bucciarelli","tag-maurice-blackburn","tag-exhibit-a-i"],"_links":{"self":[{"href":"https:\/\/new.eikon.at\/en\/wp-json\/wp\/v2\/posts\/176281","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/new.eikon.at\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/new.eikon.at\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/new.eikon.at\/en\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/new.eikon.at\/en\/wp-json\/wp\/v2\/comments?post=176281"}],"version-history":[{"count":3,"href":"https:\/\/new.eikon.at\/en\/wp-json\/wp\/v2\/posts\/176281\/revisions"}],"predecessor-version":[{"id":178919,"href":"https:\/\/new.eikon.at\/en\/wp-json\/wp\/v2\/posts\/176281\/revisions\/178919"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/new.eikon.at\/en\/wp-json\/wp\/v2\/media\/176373"}],"wp:attachment":[{"href":"https:\/\/new.eikon.at\/en\/wp-json\/wp\/v2\/media?parent=176281"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/new.eikon.at\/en\/wp-json\/wp\/v2\/categories?post=176281"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/new.eikon.at\/en\/wp-json\/wp\/v2\/tags?post=176281"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}