{"id":176252,"date":"2026-04-24T15:26:01","date_gmt":"2026-04-24T13:26:01","guid":{"rendered":"https:\/\/new.eikon.at\/?p=176252"},"modified":"2026-05-13T16:53:03","modified_gmt":"2026-05-13T14:53:03","slug":"magazine-3-2-2","status":"publish","type":"post","link":"https:\/\/new.eikon.at\/en\/magazine-3-2-2\/","title":{"rendered":"Anton Kehrer"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><p>[vc_row row_height_percent=&#8221;0&#8243; override_padding=&#8221;yes&#8221; h_padding=&#8221;2&#8243; top_padding=&#8221;0&#8243; bottom_padding=&#8221;0&#8243; back_color=&#8221;color-xsdn&#8221; overlay_alpha=&#8221;50&#8243; gutter_size=&#8221;3&#8243; column_width_percent=&#8221;100&#8243; no_h_border=&#8221;yes&#8221; no_h_border_tablet=&#8221;yes&#8221; no_h_border_mobile=&#8221;yes&#8221; shift_y=&#8221;0&#8243; z_index=&#8221;0&#8243; sticky=&#8221;yes&#8221; content_parallax=&#8221;0&#8243; uncode_shortcode_id=&#8221;822296&#8243; back_color_type=&#8221;uncode-palette&#8221;][vc_column column_width_percent=&#8221;100&#8243; 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single_overlay_color=&#8221;color-jevc&#8221; single_overlay_opacity=&#8221;1&#8243; single_overlay_visible=&#8221;yes&#8221; single_overlay_anim=&#8221;no&#8221; single_text_visible=&#8221;yes&#8221; single_text_anim=&#8221;no&#8221; single_image_anim=&#8221;no&#8221; single_v_position=&#8221;bottom&#8221; single_padding=&#8221;0&#8243; single_text_reduced=&#8221;yes&#8221; single_meta_custom_typo=&#8221;yes&#8221; single_meta_weight=&#8221;300&#8243; single_border=&#8221;yes&#8221; lbox_caption=&#8221;yes&#8221; uncode_shortcode_id=&#8221;194847&#8243; gallery_back_color_type=&#8221;uncode-palette&#8221;][\/vc_column][vc_column column_width_percent=&#8221;100&#8243; position_vertical=&#8221;middle&#8221; gutter_size=&#8221;1&#8243; override_padding=&#8221;yes&#8221; column_padding=&#8221;2&#8243; overlay_alpha=&#8221;50&#8243; shift_x=&#8221;0&#8243; shift_y=&#8221;0&#8243; shift_y_down=&#8221;0&#8243; z_index=&#8221;0&#8243; medium_visibility=&#8221;yes&#8221; medium_width=&#8221;0&#8243; mobile_visibility=&#8221;yes&#8221; mobile_width=&#8221;0&#8243; width=&#8221;5\/12&#8243; uncode_shortcode_id=&#8221;521940&#8243;][vc_custom_heading text_color=&#8221;accent&#8221; heading_semantic=&#8221;div&#8221; text_size=&#8221;fontsize-161209&#8243; text_weight=&#8221;400&#8243; text_transform=&#8221;uppercase&#8221; text_height=&#8221;fontheight-684119&#8243; text_space=&#8221;fontspace-210350&#8243; uncode_shortcode_id=&#8221;129551&#8243; text_color_type=&#8221;uncode-palette&#8221;]MAGAZINE #132[\/vc_custom_heading][vc_custom_heading text_color=&#8221;accent&#8221; heading_semantic=&#8221;div&#8221; text_size=&#8221;fontsize-160000&#8243; text_weight=&#8221;400&#8243; text_transform=&#8221;uppercase&#8221; text_height=&#8221;fontheight-684119&#8243; text_space=&#8221;fontspace-210350&#8243; uncode_shortcode_id=&#8221;532125&#8243; text_color_type=&#8221;uncode-palette&#8221;]2026\/05[\/vc_custom_heading][vc_empty_space empty_h=&#8221;2&#8243; el_class=&#8221;maxpx1200displaynone&#8221;][vc_custom_heading heading_semantic=&#8221;h3&#8243; text_size=&#8221;custom&#8221; text_height=&#8221;fontheight-357766&#8243; uncode_shortcode_id=&#8221;815882&#8243; heading_custom_size=&#8221;clamp(1.3rem, 1rem + 1.4vw, 2.2rem)&#8221;]Wolfgang Giegler[\/vc_custom_heading][vc_custom_heading heading_semantic=&#8221;h3&#8243; text_size=&#8221;custom&#8221; uncode_shortcode_id=&#8221;128841&#8243; heading_custom_size=&#8221;clamp(2.2rem, 1.6rem + 3vw, 4rem)&#8221;]ANTON KEHRER[\/vc_custom_heading][vc_empty_space empty_h=&#8221;3&#8243; el_class=&#8221;maxpx1600displaynone&#8221;][vc_empty_space empty_h=&#8221;2&#8243;][\/vc_column][\/vc_row][vc_row unlock_row_content=&#8221;yes&#8221; row_height_percent=&#8221;0&#8243; override_padding=&#8221;yes&#8221; h_padding=&#8221;5&#8243; top_padding=&#8221;0&#8243; bottom_padding=&#8221;2&#8243; overlay_alpha=&#8221;50&#8243; gutter_size=&#8221;4&#8243; column_width_percent=&#8221;100&#8243; shift_y=&#8221;0&#8243; z_index=&#8221;0&#8243; desktop_visibility=&#8221;yes&#8221; content_parallax=&#8221;0&#8243; 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text_size=&#8221;fontsize-106718&#8243; separator=&#8221;yes&#8221; uncode_shortcode_id=&#8221;208472&#8243;]EIKON #132 |\u200b <em>WHERE IS PHOTOGRAPHY NOW?<\/em>[\/vc_custom_heading][vc_empty_space empty_h=&#8221;1&#8243; desktop_visibility=&#8221;yes&#8221;][\/vc_column_inner][vc_column_inner column_width_percent=&#8221;100&#8243; gutter_size=&#8221;3&#8243; overlay_alpha=&#8221;50&#8243; shift_x=&#8221;0&#8243; shift_y=&#8221;0&#8243; shift_y_down=&#8221;0&#8243; z_index=&#8221;0&#8243; medium_visibility=&#8221;yes&#8221; medium_width=&#8221;0&#8243; mobile_visibility=&#8221;yes&#8221; mobile_width=&#8221;0&#8243; width=&#8221;1\/3&#8243; uncode_shortcode_id=&#8221;651671&#8243; el_class=&#8221;maxpx1200displaynone&#8221;][\/vc_column_inner][\/vc_row_inner][vc_empty_space empty_h=&#8221;4&#8243; medium_visibility=&#8221;yes&#8221; mobile_visibility=&#8221;yes&#8221;][\/vc_column][\/vc_row][vc_row unlock_row_content=&#8221;yes&#8221; row_height_percent=&#8221;0&#8243; override_padding=&#8221;yes&#8221; h_padding=&#8221;5&#8243; top_padding=&#8221;0&#8243; bottom_padding=&#8221;7&#8243; overlay_alpha=&#8221;50&#8243; gutter_size=&#8221;3&#8243; column_width_percent=&#8221;100&#8243; shift_y=&#8221;0&#8243; z_index=&#8221;0&#8243; content_parallax=&#8221;0&#8243; uncode_shortcode_id=&#8221;122216&#8243;][vc_column width=&#8221;2\/3&#8243;][vc_column_text uncode_shortcode_id=&#8221;202528&#8243;]<strong><br \/>A Concentration<\/strong>[\/vc_column_text][vc_column_text uncode_shortcode_id=&#8221;175190&#8243;]The image, produced and disseminated through the media in the billions today, is perceived as a distraction and diversion rather than as a focus and concentration. The artistic image allows us a deepening, an intensification, and an opening of perspective that fully integrates us into the act of seeing and being seen. \u2013 Anton Kehrer\u2019s work is a prime example of this.[\/vc_column_text][vc_column_text uncode_shortcode_id=&#8221;210634&#8243;]\u2192 <a href=\"https:\/\/new.eikon.at\/en\/magazine-3\/\">in EIKON #132<\/a><br \/>\n<strong>Language<\/strong> | German \/ English<br \/>\nSize | 280 x 210 mm<br \/>\n<strong>ISBN<\/strong> | 978-3-904083-26-3<br \/>\n104 Pages<br \/>\n<strong>Price:<\/strong> \u20ac 18,00 (inkl. 10% USt)[\/vc_column_text][vc_empty_space][vc_column_text uncode_shortcode_id=&#8221;100640&#8243;]<\/p>\n<blockquote><p>Three key elements of his work stand out: firstly, light sources in public, urban spaces; secondly, light artworks by other artists; and thirdly, studio photographs using coloured glass plates. One could also speak of a connection to place, a connection to history, and a self-referential quality<br \/><small>Wolfgang Giegler<\/small><\/p><\/blockquote>\n<p>[\/vc_column_text][vc_empty_space][vc_gallery el_id=&#8221;gallery-203623&#8243; type=&#8221;carousel&#8221; medias=&#8221;177702,177703,177704&#8243; gallery_back_color=&#8221;color-xsdn&#8221; carousel_lg=&#8221;3&#8243; carousel_md=&#8221;3&#8243; carousel_sm=&#8221;1&#8243; gutter_size=&#8221;3&#8243; media_items=&#8221;media|lightbox|original,caption&#8221; carousel_interval=&#8221;3000&#8243; carousel_navspeed=&#8221;400&#8243; carousel_loop=&#8221;yes&#8221; stage_padding=&#8221;0&#8243; single_text=&#8221;under&#8221; single_overlay_opacity=&#8221;1&#8243; single_overlay_visible=&#8221;yes&#8221; single_overlay_anim=&#8221;no&#8221; single_text_visible=&#8221;yes&#8221; single_text_anim=&#8221;no&#8221; single_image_anim=&#8221;no&#8221; single_v_position=&#8221;bottom&#8221; single_padding=&#8221;0&#8243; single_text_reduced=&#8221;yes&#8221; single_meta_custom_typo=&#8221;yes&#8221; single_meta_weight=&#8221;300&#8243; single_border=&#8221;yes&#8221; lbox_caption=&#8221;yes&#8221; uncode_shortcode_id=&#8221;615341&#8243; gallery_back_color_type=&#8221;uncode-palette&#8221;][vc_empty_space][vc_empty_space][vc_column_text text_lead=&#8221;small&#8221; uncode_shortcode_id=&#8221;161541&#8243;]<\/p>\n<blockquote><p>It is about focus and concentration. The artist opens a gateway, behind which lies that entirely real world of possibilities accessible to the human imagination.<br \/>\n<small>Wolfgang Giegler<\/small><\/p><\/blockquote>\n<p>[\/vc_column_text][\/vc_column][vc_column column_width_percent=&#8221;100&#8243; gutter_size=&#8221;3&#8243; overlay_alpha=&#8221;50&#8243; shift_x=&#8221;0&#8243; shift_y=&#8221;0&#8243; shift_y_down=&#8221;0&#8243; z_index=&#8221;0&#8243; medium_visibility=&#8221;yes&#8221; medium_width=&#8221;0&#8243; mobile_visibility=&#8221;yes&#8221; mobile_width=&#8221;0&#8243; width=&#8221;1\/4&#8243; uncode_shortcode_id=&#8221;187838&#8243; el_class=&#8221;maxpx1400displaynone&#8221;][\/vc_column][vc_column column_width_percent=&#8221;100&#8243; gutter_size=&#8221;3&#8243; overlay_alpha=&#8221;50&#8243; shift_x=&#8221;0&#8243; shift_y=&#8221;0&#8243; shift_y_down=&#8221;0&#8243; z_index=&#8221;0&#8243; medium_visibility=&#8221;yes&#8221; medium_width=&#8221;0&#8243; mobile_visibility=&#8221;yes&#8221; mobile_width=&#8221;0&#8243; width=&#8221;1\/12&#8243; uncode_shortcode_id=&#8221;176000&#8243;][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>The image, produced and disseminated through the media in the billions today, is perceived as a distraction and diversion rather than as a focus and concentration. The artistic image allows us a deepening, an intensification, and an opening of perspective that fully integrates us into the act of seeing and being seen. \u2013 Anton Kehrer\u2019s work is a prime example of this.  <\/p>\n","protected":false},"author":2,"featured_media":176600,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[318,332],"tags":[424,448,521],"class_list":["post-176252","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-portfolio","category-artist","tag-424","tag-anton-kehrer","tag-wolfgang-giegler"],"_links":{"self":[{"href":"https:\/\/new.eikon.at\/en\/wp-json\/wp\/v2\/posts\/176252","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/new.eikon.at\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/new.eikon.at\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/new.eikon.at\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/new.eikon.at\/en\/wp-json\/wp\/v2\/comments?post=176252"}],"version-history":[{"count":0,"href":"https:\/\/new.eikon.at\/en\/wp-json\/wp\/v2\/posts\/176252\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/new.eikon.at\/en\/wp-json\/wp\/v2\/media\/176600"}],"wp:attachment":[{"href":"https:\/\/new.eikon.at\/en\/wp-json\/wp\/v2\/media?parent=176252"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/new.eikon.at\/en\/wp-json\/wp\/v2\/categories?post=176252"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/new.eikon.at\/en\/wp-json\/wp\/v2\/tags?post=176252"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}