{"id":176157,"date":"2024-09-12T12:00:31","date_gmt":"2024-09-12T10:00:31","guid":{"rendered":"https:\/\/new.eikon.at\/?p=176157"},"modified":"2026-05-06T18:11:40","modified_gmt":"2026-05-06T16:11:40","slug":"magazine-2-2-2-2","status":"publish","type":"post","link":"https:\/\/new.eikon.at\/en\/magazine-2-2-2-2\/","title":{"rendered":"#127 The Last Digital Natives"},"content":{"rendered":"

[vc_row row_height_percent=”0″ override_padding=”yes” h_padding=”2″ top_padding=”0″ bottom_padding=”0″ back_color=”color-xsdn” overlay_alpha=”50″ gutter_size=”3″ column_width_percent=”100″ no_h_border=”yes” no_h_border_tablet=”yes” no_h_border_mobile=”yes” shift_y=”0″ z_index=”0″ sticky=”yes” content_parallax=”0″ uncode_shortcode_id=”822296″ back_color_type=”uncode-palette”][vc_column column_width_percent=”100″ align_horizontal=”align_center” gutter_size=”0″ override_padding=”yes” column_padding=”0″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/1″ uncode_shortcode_id=”264804″][vc_custom_heading text_size=”custom” sticky_trigger=”yes” uncode_shortcode_id=”120473″ heading_custom_size=”clamp(2.75rem, 4vw + 0.75rem, 5rem)”][\/vc_custom_heading][\/vc_column][\/vc_row][vc_row unlock_row_content=”yes” row_height_percent=”0″ override_padding=”yes” h_padding=”5″ top_padding=”0″ bottom_padding=”2″ overlay_alpha=”50″ gutter_size=”6″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ content_parallax=”0″ uncode_shortcode_id=”243569″][vc_column column_width_percent=”100″ position_horizontal=”left” gutter_size=”3″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”7\/12″ uncode_shortcode_id=”658435″][vc_gallery el_id=”gallery-123448″ type=”carousel” medias=”176350″ gallery_back_color=”color-xsdn” carousel_lg=”1″ carousel_md=”1″ carousel_sm=”1″ gutter_size=”3″ media_items=”media|lightbox|original,caption” carousel_type=”fade” carousel_interval=”10000″ carousel_hover=”yes” carousel_navspeed=”1000″ carousel_loop=”yes” carousel_dot_position=”left” stage_padding=”0″ single_style=”dark” single_overlay_color=”color-jevc” single_overlay_opacity=”1″ single_overlay_visible=”yes” single_overlay_anim=”no” single_text_visible=”yes” single_text_anim=”no” single_image_anim=”no” single_v_position=”bottom” single_padding=”0″ single_text_reduced=”yes” single_meta_custom_typo=”yes” single_meta_weight=”300″ single_border=”yes” lbox_caption=”yes” uncode_shortcode_id=”361350″ gallery_back_color_type=”uncode-palette”][\/vc_column][vc_column column_width_percent=”100″ position_vertical=”middle” gutter_size=”1″ override_padding=”yes” column_padding=”2″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_visibility=”yes” medium_width=”0″ mobile_visibility=”yes” mobile_width=”0″ width=”5\/12″ uncode_shortcode_id=”521940″][vc_custom_heading text_color=”accent” heading_semantic=”div” text_size=”fontsize-161209″ text_weight=”400″ text_transform=”uppercase” text_height=”fontheight-684119″ text_space=”fontspace-210350″ uncode_shortcode_id=”898700″ text_color_type=”uncode-palette”]MAGAZINE[\/vc_custom_heading][vc_custom_heading text_color=”accent” heading_semantic=”div” text_size=”fontsize-160000″ text_weight=”400″ text_transform=”uppercase” text_height=”fontheight-684119″ text_space=”fontspace-210350″ uncode_shortcode_id=”137169″ text_color_type=”uncode-palette”]2024\/09[\/vc_custom_heading][vc_empty_space empty_h=”2″ el_class=”maxpx1200displaynone”][vc_custom_heading heading_semantic=”h3″ text_size=”custom” text_height=”fontheight-357766″ uncode_shortcode_id=”205219″ heading_custom_size=”clamp(1.3rem, 1rem + 1.4vw, 2.2rem)”]EIKON #127[\/vc_custom_heading][vc_custom_heading heading_semantic=”h3″ text_size=”custom” uncode_shortcode_id=”205844″ heading_custom_size=”clamp(2.2rem, 1.6rem + 3vw, 4rem)”]The Last Digital Natives[\/vc_custom_heading][vc_empty_space empty_h=”3″ el_class=”maxpx1600displaynone”][vc_empty_space empty_h=”2″][vc_button button_color=”accent” outline=”yes” border_width=”0″ link=”url:%23|” button_color_type=”uncode-palette” uncode_shortcode_id=”385239″]ORDER MAGAZINE[\/vc_button][\/vc_column][\/vc_row][vc_row unlock_row_content=”yes” row_height_percent=”0″ override_padding=”yes” h_padding=”5″ top_padding=”0″ bottom_padding=”2″ overlay_alpha=”50″ gutter_size=”4″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ desktop_visibility=”yes” content_parallax=”0″ uncode_shortcode_id=”153841″][vc_column column_width_percent=”100″ gutter_size=”2″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/1″][vc_custom_heading text_color=”accent” heading_semantic=”h1″ text_size=”fontsize-160000″ text_transform=”uppercase” text_height=”fontheight-357766″ text_space=”fontspace-210350″ uncode_shortcode_id=”175547″ text_color_type=”uncode-palette”]2025\/02[\/vc_custom_heading][vc_row_inner][vc_column_inner column_width_percent=”100″ gutter_size=”2″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”2\/3″][vc_custom_heading heading_semantic=”h1″ text_size=”fontsize-106718″ separator=”yes” uncode_shortcode_id=”227148″]EIKON #128 | FAKE NEWS[\/vc_custom_heading][vc_empty_space empty_h=”1″ desktop_visibility=”yes”][\/vc_column_inner][vc_column_inner column_width_percent=”100″ gutter_size=”3″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_visibility=”yes” medium_width=”0″ mobile_visibility=”yes” mobile_width=”0″ width=”1\/3″ uncode_shortcode_id=”651671″ el_class=”maxpx1200displaynone”][\/vc_column_inner][\/vc_row_inner][vc_empty_space empty_h=”4″ medium_visibility=”yes” mobile_visibility=”yes”][\/vc_column][\/vc_row][vc_row unlock_row_content=”yes” row_height_percent=”0″ override_padding=”yes” h_padding=”5″ top_padding=”0″ bottom_padding=”7″ overlay_alpha=”50″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ content_parallax=”0″ uncode_shortcode_id=”122216″][vc_column width=”2\/3″][vc_column_text uncode_shortcode_id=”113748″]Artists: Alfredo Jaar | Luise Marchand | Leopold Strobl | Grzegorz Welnicki | Jun Yang<\/p>\n

Authors: Carl Aigner | Berthold Ecker | Nela Eggenberger | Ruth Horak | Herbert Kopp-Oberstebrink| Peter Kunitzky | Maren L\u00fcbbke-Tidow| Gerald Matt | Margit Neuhold| Gerald Piffl | Nina Schedlmayer | Walter Seidl | Johan Nane Simonsen | Marie Christin Spatzek | Raimar Stange | Barbara Steiner| Julia Stellmann | Paula Watzl | Erik Vroons<\/span>[\/vc_column_text][vc_column_text uncode_shortcode_id=”883363″]Languages<\/strong> | Deutsch \/ Englisch
\nSize<\/strong> | 280 x 210 mm
\nISBN<\/strong> | 978-3-904083-20-1
\n96 Pages
\nPrize:<\/strong> \u20ac 18,00 (inkl. 10% USt)[\/vc_column_text][vc_empty_space][vc_empty_space][vc_gallery el_id=”gallery-203623″ type=”carousel” medias=”177058,177059,177060,177061,177062,177063″ gallery_back_color=”color-xsdn” carousel_lg=”3″ carousel_md=”3″ carousel_sm=”1″ gutter_size=”3″ media_items=”media|lightbox|original,caption” carousel_interval=”3000″ carousel_navspeed=”400″ carousel_loop=”yes” stage_padding=”0″ single_text=”under” single_overlay_opacity=”1″ single_overlay_visible=”yes” single_overlay_anim=”no” single_text_visible=”yes” single_text_anim=”no” single_image_anim=”no” single_v_position=”bottom” single_padding=”0″ single_text_reduced=”yes” single_meta_custom_typo=”yes” single_meta_weight=”300″ single_border=”yes” lbox_caption=”yes” uncode_shortcode_id=”211985″ gallery_back_color_type=”uncode-palette”][vc_empty_space][vc_column_text uncode_shortcode_id=”121455″]CONTENT<\/strong><\/p>\n

PORTFOLIO
\n<\/u>GRZEGORZ WE\u0141NICKI | Erik Vroons
\nALFREDO JAAR | Walter Seidl
\nLEOPOLD STROBL | Carl Aigner
\nLUISE MARCHAND | Maren L\u00fcbbke-Tidow
\nJUN YANG | Barbara Steiner<\/p>\n

ARTS & STUDIES
\n<\/u>KAJA CLARA JOO | Paula Watzl<\/p>\n

FOCUS
\n<\/u>THE LAST DIGITAL NATIVES
\nK\u00fcnstlerische Arbeitsweisen im Zeitalter technologischer Umbr\u00fcche | Johan Nane Simonsen<\/p>\n

FORUM
\n<\/u>Ein Gespr\u00e4ch mit Kay Walkowiak | Gerald Matt<\/p>\n

EXHIBITIONS
\n<\/u>darktaxa-project. phtoograify | Nela Eggenberger
\nElfriede Mejchar | Gerald Piffl
\nAVANTGARDE AND LIBERATION. Zeitgen\u00f6ssische Kunst und dekoloniale Moderne | Raimar Stange
\nPierre Huyghe. Liminal | Julia Stellmann
\nSissa Micheli. On Equality and Conformity | Nina Schedlmayer
\nLucia Moholy. Exposures | Peter Kunitzky
\nLuiz Roque | Herbert Kopp-Oberstebrink <\/p>\n

DATES
\n<\/u>with BLOCKFREI Collective<\/p>\n

COLLECTOR’S EDITION
\n<\/u>Susan Philipsz: Sound Mirrors<\/p>\n

PUBLICATIONS \/ REVIEW
\n<\/u>Gabriele Rothemann. Werke | Berthold Ecker
\nAntonio Rovaldi. Morgen | Margit Neuhold
\nGregory Crewdson | Gregor Auenhammer
\nUta K\u00f6gelsberger. Forest Complex | Ruth Horak[\/vc_column_text][vc_empty_space][vc_column_text text_lead=”small” uncode_shortcode_id=”191237″]<\/p>\n

The line between ideology and technology seems to be blurring, and computers are not what they used to be.
Johan Nane Simonsen | Fotogalerie Wien<\/small><\/p><\/blockquote>\n

[\/vc_column_text][vc_column_text uncode_shortcode_id=”768291″]<\/p>\n

EDITORIAL<\/u><\/strong><\/p>\n

Lieber Leserinnen und Leser!
\n\u201cIt\u2019s no longer fiction to speculate about workers who spend the larger part of their waking hours with their eyes glued to screens. The Earth rotates beneath a network of satellites which are continuously taking photographs of its surface. Almost every one of us has a computer in our trouser pocket; we are all surveilled, measured and expressed in numbers: zero and one.\u201d(1)
\nDigitalization, which since spring 2020, for reasons we all understand, has become more pervasive than ever, with video conferences, home offices, or the increasing shift of public services into the net, has been a part of our everyday lives for a good fifty years. Meanwhile, the entire western world is so interwoven with the constant availability of internet services and \u201csmart\u201d devices that our existence can probably scarcely be managed without these aids. Amid this permanent process of transformation stands photography, which is often assigned a dominant role.
\nThe significance that the digital has acquired in the practice of art has caused the collective of FOTOGALERIE WIEN (currently consisting in No\u00e9mi \u00c1brah\u00e1m, Herman Capor, Christian Eiselt, Christian Gold-Kurz, Tobias Izs\u00f3, Michael Michlmayr, Petra Noll-Hammerstiel, Anja Nowak, Johan Nane Simonsen, and Patrick Winkler) to trace this theme in the framework of a series of focuses stretching over two years in the form of exhibitions with a retrospective catalog. In a total of four blocks, crystallized out of the themes negotiated by the artists, the motto is divided into the fields of \u201cartefacts,\u201d \u201csensor technology,\u201d \u201cgenerative\u201d and \u201ccoexistence\u201d\u2014while the age groups who grew up with the digital already predominate and their approaches are taken into focus by Nane Simonsen with The Last Digital Natives starting on p. 49. She also provides proof with exemplary samples that this generation, in contrast to commonly accepted clich\u00e9s, by no means \u201closes itself in computer worlds,\u201d but indeed is fixed in physical reality, \u201cwith its material and politicoideological implications.\u201d(2)
\nNela Eggenberger | EIKON | September 2024 <\/p>\n

(1) Foreword to the BILDER issues published to mark the \u2018DIGITAL\u2019 special feature, FOTOGALERIE WIEN, 2022\u20132024.
\n(2) See P. 58.<\/p>\n

ART DIRECTION & DESIGN
\n<\/u>Grafikum \u2013 Studio fu\u0308r Gestaltung<\/p>\n

TRANSLATION
\n<\/u>Vera Coccyx (E\/D),Gerard A. Goodrow (D\/E), Nelson Wattie (D\/E)[\/vc_column_text][\/vc_column][vc_column column_width_percent=”100″ gutter_size=”3″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_visibility=”yes” medium_width=”0″ mobile_visibility=”yes” mobile_width=”0″ width=”1\/4″ uncode_shortcode_id=”187838″ el_class=”maxpx1400displaynone”][\/vc_column][vc_column column_width_percent=”100″ gutter_size=”3″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_visibility=”yes” medium_width=”0″ mobile_visibility=”yes” mobile_width=”0″ width=”1\/12″ uncode_shortcode_id=”176000″][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

EIKON #127
\nDigitalization, which since spring 2020, for reasons we all understand, has become more pervasive than ever, with video conferences, home offices, or the increasing shift of public services into the net, has been a part of our everyday lives for a good fifty years. Meanwhile, the entire western world is so interwoven with the constant availability of internet services and \u201csmart\u201d devices that our existence can probably scarcely be managed without these aids. Amid this permanent process of transformation stands photography, which is often assigned a dominant role. <\/p>\n","protected":false},"author":4,"featured_media":176350,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[305],"tags":[431,432],"class_list":["post-176157","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-magazine","tag-431","tag-the-last-digital-natives"],"_links":{"self":[{"href":"https:\/\/new.eikon.at\/en\/wp-json\/wp\/v2\/posts\/176157","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/new.eikon.at\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/new.eikon.at\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/new.eikon.at\/en\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/new.eikon.at\/en\/wp-json\/wp\/v2\/comments?post=176157"}],"version-history":[{"count":0,"href":"https:\/\/new.eikon.at\/en\/wp-json\/wp\/v2\/posts\/176157\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/new.eikon.at\/en\/wp-json\/wp\/v2\/media\/176350"}],"wp:attachment":[{"href":"https:\/\/new.eikon.at\/en\/wp-json\/wp\/v2\/media?parent=176157"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/new.eikon.at\/en\/wp-json\/wp\/v2\/categories?post=176157"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/new.eikon.at\/en\/wp-json\/wp\/v2\/tags?post=176157"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}